Kitezh by Artur Zobnin in the context of Russian metamodern
Abstract
This article examines Kitezh by Arthur Zobnin as a work of Russian metamodernism. What makes this opus metamodern is the way Zobnin works with the archetype, the unity of shimmering affect, the presence of tonality and simple harmony and metamodernist work with someone else’s material. What makes this opus a work of Russian metamodernism is quoting of popular melody from Rimsky-Korsakov and also its reliance on the cornerstone mythologem of Russian culture — vision of “Another City”.
About the Author
N. A. Khrustcheva
Saint-Petersburg Rimsky-Korsakov State Conservatory
Russian Federation
Russian Federation
Khrustcheva N. A. — Cand. Sci. (Art)
3, liter “A”, Teatralnaya sq., St. Petersburg, 190068
References
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Review
For citations:
Khrustcheva N.A. Kitezh by Artur Zobnin in the context of Russian metamodern. Bulletin of Vaganova Ballet Academy. 2024;(3):148-159. (In Russ.)
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