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Nationalization as a factor of the national Chinese ballet’s emergence

Abstract

The article discusses the problem of the nationalization of ballet in China,  which has emerged on the agenda of Chinese art criticism since the early 2000s. The authors discover the presence of Marxist and Maoists ideas in the speech  cliché of “nationalization of ballet”, on the one hand, and goal-setting, on the  other; on historical examples they also examine how Mao Zedong’s focus on  “serving” the art of ballet to the working people contributed to the transformation  of the content and form of foreign (classical Russian and non-classical Western)  ballet in China. The authors come to the conclusion that the ideology of  nationalization contributed to the emergence of its own Chinese ballet with  “national characteristics” (Mao Zedong) at the beginning of the 20th century  and the establishment of the national Chinese ballet by the 1960s.

About the Authors

Yu. O. Novik
Vaganova Ballet Academy
Russian Federation

Novik Yu. O. — Dr. Habil. (Cultural Studies), Ass, Prof.

2, Zodchego Rossy St., St. Petersburg, 191023



Liuxuan Song
Vaganova Ballet Academy
Russian Federation

Song Liuxuan — Postgraduate Student

2, Zodchego Rossy St., St. Petersburg, 191023



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Review

For citations:


Novik Yu.O., Song L. Nationalization as a factor of the national Chinese ballet’s emergence. Bulletin of Vaganova Ballet Academy. 2023;(5):72-85. (In Russ.)

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ISSN 1681-8962 (Print)