Preview

Bulletin of Vaganova Ballet Academy

Advanced search

Sound tools of the latest music

Abstract

The article is devoted to the issue of conceptualization and systematization of sound instruments of academic music of the late 20th — early 21st century. Modern composers have long been using not only musical instruments and computer technologies in their compositions, but also a large number of objects and mechanisms for non-musical purposes. The latter are given increasingly responsible roles, up to the soloist instrument, opposed to the orchestra. With all the prevalence of non-musical subjects in music today, this phenomenon has not received sufficient scientific understanding. The proposed article attempts to systematize and categorize all “atypical” and “non-normative” musical instruments, and also identifies and describes the nature of the work of composers with these subjects.

About the Author

V. A. Kukhta
Vaganova Russian Ballet Academy; The House of Children’s Creativity of the Petrodvorets district of St. Petersburg
Russian Federation

Kukhta V. A. — Postgraduate Student, Teacher

2, Rossi St., St. Petersburg, 191023

4-A, Letter B, St. Petersburg Ave., Peterhof, 198510



References

1. Macievskij I. V. Narodny`j muzy`kal`ny`j instrument i metodologiya ego issledovaniya // Aktual`ny`e problemy` sovremennoj fol`kloristiki. L.: Muzy`ka, 1980. S. 143–170.

2. Holland J. Percussion / foreword by Pierre Boules. New York: Schrimer Books, 1981. 283p.

3. Blazejczyk W. Obiektofony. Warszawa: Chopin University Press, 2017. 131 p.

4. Varlamov D. I. Metamorfozy` muzy`kal`nogo instrumentariya: Neofilosofiya narodno-instrumental`nogo iskusstva XXI v. Saratov: Akvarius: E`mos, 2000. 142 s.

5. Xrust N. Yu. Novy`e instrumental`ny`e texniki: opy`t klassifikacii: diss. … kand. iskusstvovedeniya. M. 2017. 480 s.

6. Baker M. B. Demystifying and classifying electronic music instruments // Issues in organology / vol. ed.: Sue Parole De Vale: Los Angeles, Calif.: Ethnomusicology Publ., 1990. P. 37–64.

7. Dinov V. G. Zvukovaya kartina. Zapiski o zvukorezhissure: ucheb. pos. 3-e izd. SPb: Lan`; PLANETA MUZY`KI, 2012. 488 c.

8. Kogoutek Cz. Texnika kompozicii v muzy`ke XX veka. M.: Muzy`ka, 1976. 367 s.

9. Shejkin Yu. I. Istoriya muzy`kal`noj kul`tury` narodov Sibiri: sravnitel`no-istoricheskoe issledovanie. M.: Vostochnaya literatura, 2002. 718 s.

10. Vertkov K. Nekotory`e voprosy` izucheniya muzy`kal`ny`x instrumentov narodov SSSR // Problemy` muzy`kal`nogo fol`klora narodov SSSR. M.: Muzy`ka, 1973. S. 262−274.

11. Popov V. A. Zvukovoe oformlenie spektaklya. M.: Iskusstvo, 1953. 268 s.

12. Smirnov A. V poiskax poteryannogo zvuka. E`ksperimental`naya zvukovaya kul`tura Rossii i SSSR pervoj poloviny` XX v. M.: Muzej sovremennogo iskusstva «Garazh», 2020. 296 s.

13. Ingel`deev M. R., Yakovleva T. O. «101% mind uploading» Eleny` Ry`kovoj: o materializme, teatre i rezonanse zvuka / Muzy`kal`naya akademiya. 2022. № 4 (780). S. 134−145.

14. Czaregradskaya T. V. Muzy`kal`ny`j zhest v prostranstve sovremennoj kompozicii. M.: Kompozitor, 2018. 364 s.

15. Lavrova S. V. Sal`vatore Sharrino i drugie. Ocherki ob ital`yanskoj muzy`ke koncza XX — nachala XXI veka. SPb: Akademiya Russkogo baleta im. A. Ya. Vaganovoj, 2019. 230 s


Review

For citations:


Kukhta V.A. Sound tools of the latest music. Bulletin of Vaganova Ballet Academy. 2023;(3):106-116. (In Russ.)

Views: 247


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1681-8962 (Print)