Spatiality in academic music performance in the context of modern technologies
Abstract
The paper studies the new technologies impact on the perception of spatiality in musical performance. The difference of the visual component perception in the concert hall or in a situation of using the reproduction technologies is analyzed. The concepts of “technological corporeality”, “technological quasi-corporeality” and “technological non-corporeality” are proposed, which are defined by the method of organizing video and audio sequences, as well as by the presence or absence of video editing. The author substantiates the possibilities of using new audio- video technologies to expand the experience of musical performance perception.
About the Author
A. A. Timofeev
The Herzen State Pedagogical University of Russia; St. Petersburg Rimsky-Korsakov College of Music
Russian Federation
Russian Federation
Timofeev (Mazikov) Alexander — Cand. Sci. (Arts), Ass. Prof.
48 Moika Emb., St. Petersburg,198097; , 1-a Matveeva alley, St. Petersburg, 190121
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Review
For citations:
Timofeev A.A. Spatiality in academic music performance in the context of modern technologies. Bulletin of Vaganova Ballet Academy. 2022;(1):171-186. (In Russ.)
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