Postmodernity in art: Historical and semiotic aspects
Abstract
The article considers the issue of the status of postmodernity in the history of art from the point of view of the essence of this phenomenon and its position among other similar phenomena. Various understandings of the position of postmodern in history are presented — as the state, situation, epoch, art direction, style, strengths and weaknesses of these points of view are revealed. Special attention is paid to the interpretation of the postmodernist situation from the point of view of its semiotic status, the history of the formation of this approach, its explanatory capabilities are considered. The result of the study is the definition of the mechanisms of postmodernization in actual art.
About the Author
L. A. Menshikov
Vaganova Ballet Academy; St. Petersburg State Rimsky-Korsakov Conservatory
Russian Federation
Russian Federation
Dr. Habil. (Art), Ass. Prof., Head of the Dept. of Social Sciences and The Humanities; Prof. of the Dept. of Philosophy, History and Theory
Zodchego Rossi St., 2, St. Petersburg, 191023
Glinki St., 2, St. Petersburg, 190000
SPIN code: 1692-2433
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Review
For citations:
Menshikov L.A. Postmodernity in art: Historical and semiotic aspects. Bulletin of Vaganova Ballet Academy. 2021;(6):200-212. (In Russ.)
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