Aesthetics of performativity in the “First matter” by Dimitris Papayoannu
Abstract
The article examines the performative means used in directing the play “The First Matter” by Dimitris Papaioannou. The rapid development of performative aesthetics in the space of theatre and the growing popularity of performance among contemporary directors give rise to the need study the transformation of theatricalization. On the basis of “Aesthetics of Performativity” by E. Fischer Lichte, a fundamental study of performance in theatre, an analysis of the performance “First Matter” of the avant-garde Greek director Papaioannou was carried out, upon which an attempt was made to determine the influence of performative aesthetics on contemporary theatre.
About the Author
N. E. Belyakov
Vaganova Ballet Academy; Oleg Tabakov Moscow Art School
Russian Federation
Russian Federation
Postgraduate Student, Stage Movement Teacher
2, Zodchego Rossi St., St. Petersburg, 191023
20 (1), Chaplygina St., Moscow, 105062
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Review
For citations:
Belyakov N.E. Aesthetics of performativity in the “First matter” by Dimitris Papayoannu. Bulletin of Vaganova Ballet Academy. 2021;(6):157-172. (In Russ.)
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