The theoretical basis of the modern dance
Abstract
The article concerns the attempt to reveal the common rules of the modern dance art language. The evolution of the 20th century choreography is observed. It is searched from the modernism epoch of the 1910–20s, aimed at an achievement of “the clear dance” and overpassed literariness, meaningfulness and personification through the postmodern dance of the 1960–80s to the choreography deconstruction and output of the acting process the foreground on the cusp of the 20th and the 21st centuries. The modern dance conceptions confront the theoretical substantiations of the new theatre forms.
About the Author
V. I. Maksimov
St-Petersburg State Theatre Arts Academy; Vaganova Ballet Academy
Russian Federation
Russian Federation
Dr. Habil. (Ats), Prof.
34, Mokhovaya St., Saint-Petersburg, 191028
2, Rossi St., Saint-Petersburg, 191023
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Review
For citations:
Maksimov V.I. The theoretical basis of the modern dance. Bulletin of Vaganova Ballet Academy. 2021;(6):45-55. (In Russ.)
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