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New facets of Chinese romance in the works of Liu Song

Abstract

This article is dedicated to the singing of the famous Chinese composer Liu Song. His work is regarded as the background of Chinese music in the new century. The author analyzes the characteristics of the composer’s music language from the perspective of the original refraction of the Chinese folk music tradition, and establishes the characteristic theme, image and performance characteristics of the composer’s vocal works.

About the Author

Rongrong Zhao
Herzen University
Russian Federation

Postgraduate Student

48, building 6, Moiki emb., St. Petersburg, 191186



References

1. Dunsyuan` U. Zhanr romansa v kitajskoj muzy`kal`noj tradicii: muzy`kal`no-istoricheskie puti razvitiya / Vesczi Belaruskaj dzyarzhaўnaj akade`mii muzy`ki. 2019. № 34. S. 107–112.

2. U Xunuan`. Kitajskaya xudozhestvennaya pesnya: istoriya i teoriya zhanra: dis. … kand. iskusstvovedeniya. Xar`kov, 2016. 231 s. [E`lektronny`j resurs]. URL: http://num.kharkiv.ua/share/pdfDisertaczіyaUXunyuan`.pdf (num.kharkiv.ua) (data obrashheniya: 13.12.2019).

3. Xan` In. Romans kak novy`j zhanr v muzy`kal`noj kul`ture Kitaya XX veka / Xan` In // Gumanitarny`e issledovaniya v Vostochnoj Sibiri i na Dal`nem Vostoke. 2008. № 3. S. 57–59.


Review

For citations:


Zhao R. New facets of Chinese romance in the works of Liu Song. Bulletin of Vaganova Ballet Academy. 2021;(3):184-192. (In Russ.)

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ISSN 1681-8962 (Print)