Review of the monograph by S. V. Lavrova “After Walter Benjamin: New Music in Germany, Austria and Switzerland from the digital post-capitalism era to COVID 19”
Abstract
The article is a review of the recently published book by S.V. Lavrova «After Walter Benjamin: New Music in Germany, Austria and Switzerland from the Digital Post-Capitalist Era to COVID 19». The main semantic core of the research is the problem of the aura, articulated in the famous work of Walter Benjamin «A work of art in the era of its technical reproducibility». Within the framework of the problem of the existence of music in the new conditions of digitalization, the author examines the work of five Austro-German composers: Bernhard Lang (1957), Peter Ablinger (1959), Beat Furrer (1954), Georg Friedrich Haas (1953) and Johannes Kreidler (1980). A feature of this work is that it is also devoted to the problem of the pandemic lockdown of 2020 and how it may affect the state of modern culture and art.
About the Author
V. V. Vasilenko
Vaganova Ballet Academy
Russian Federation
Russian Federation
Dr. Habil.; Ass. Prof.
SPIN-код 7193-7444
2, Zodchego Rossi St., St. Petersburg, 191023
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Review
For citations:
Vasilenko V.V. Review of the monograph by S. V. Lavrova “After Walter Benjamin: New Music in Germany, Austria and Switzerland from the digital post-capitalism era to COVID 19”. Bulletin of Vaganova Ballet Academy. 2021;(1):131-139. (In Russ.)
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