Features of Andrey Moguchy’s creative method in the context the modern theatrical concepts
Abstract
The article represents the analysis of Andrey Moguchy artwork, who is holding the principal position at the biggest Russian theatres — BDT named after G. A. Tovstonogov. Andrey Moguchy’s artwork considers as a holistic artistic system, which took shape by the end of the 2000-s. The author depicts its formative elements: work with space, music and media. Director’s creative search explores within the context of modern theatre theory concepts. We focus on the absence of strong attachment to literary text or a plotline. This allows to discuss the tendency towards linking up theatrical and performative expressive means.
Keywords
About the Author
O. A. ChepurovaRussian Federation
Independent researcher.
34, Mokhovaya, St. Petersburg, 191028
References
1. Munby K.-J. Introduction // H.-T. Lehmann. Postdramatic Theatre. L.; N.-Y.: Routlrdge, 2008. 214 p.
2. Fisher-Lixte E'. E'stetika performativnosti. M.: Kanon-plyus, 2015. 375 c.
3. Davy'dova M. Kul'tura ZERO. Ocherki russkoj zhizni i evropejskoj sceny'. M.: Novoe literaturnoe obozrenie, 2018. 328 c.
4. Lehmann H.-T. Postdramatic Theatre. L.; N.-Y.: Routlrdge, 2008. 214 p.
5. The continuum companion to 20th century theatre / C. Chambers, ed. London, New York: Continuum, 2002. 892 r.
6. Goldberg R. Iskusstvo performansa ot futurizma do nashix dnej. M.: Ad Marginem Press, 2014. 320 s.
7. Prishel li dejstvitel'no konecz// Teatr. 2008. № 31. S. 119-121.
8. Goder D. Xudozhniki, vizionery', cirkachi: Ocherki vizual'nogo teatra. M.: Novoe literaturnoe obozrenie, 2012. 240 s.
Review
For citations:
Chepurova O.A. Features of Andrey Moguchy’s creative method in the context the modern theatrical concepts. Bulletin of Vaganova Ballet Academy. 2020;(4):192-206. (In Russ.)