Cognitive revolution and musical convivity
Abstract
The article analyzes the formation of musical cognitive science, the emergence of various algorithmic systems of musical composition, as well as the formalization of the composer process as a whole. The “Cognitive Revolution” that took place in the 1956–70s served as the basis for a radical change in the scientific paradigm formed as a result of the desire to explain thought processes through the “rules for the transformation of mental representations”. The axioms of cognitivism are predetermined by interdisciplinary factors, since the paradigms of thinking are universal. In the so-called cognitive musicology, the goal is to understand not only the music itself but also the process of its cognition.
About the Authors
S. V. Lavrova
Vaganova Ballet Academy
Russian Federation
Russian Federation
Dr. Habil; Ass. Prof.,
Rossi St., 2, Saint-Petersburg, 191023
V. A. Shekalov
Vaganova Ballet Academy
Russian Federation
Russian Federation
Dr. Habil; Ass. Prof.,
Rossi St., 2, Saint-Petersburg, 191023
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Review
For citations:
Lavrova S.V., Shekalov V.A. Cognitive revolution and musical convivity. Bulletin of Vaganova Ballet Academy. 2020;(3):171-185. (In Russ.)
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