Voice in the academic manner of singing in Bel canto technique

Abstract

The article is devoted to the main issues of voice in the academic manner of singing. Emphasis is placed on the characteristics of the voice and the basics of its staging in the Belkanto technique, an emotional-figurative analysis of the romance of P. I. Tchaikovsky to the words of A. K. Tolstoy, “If I Knew,” is carried out. The conclusion is drawn about the need for competent work with the voice, both during the training period and throughout the vocalist’s singing career.