Preview

Bulletin of Vaganova Ballet Academy

Advanced search

Trisha Brown: To the problem of body movement through space

https://doi.org/10.26294/ARB.2019.65.6.001

Abstract

This study is an attempt to examine Trisha Brown’s, the most influential American dancer and post-modern dance choreographer, ides about the human’s body movement through space on the example of some her performances of the 1960–1970s. The semiotic nature as well as conceptual methodological basis, which are characteristics of Brown’s body motion theory, is revealed. A typological study of the space of motion in Brown’s performances was conducted. The authors came to conclusion that in sample performances the choreographer was able to combine two-dimensional and three-dimensional space plans of bodily movements.

About the Authors

Yu. O. Novik
Vaganova Ballet Academy
Russian Federation

Dr. Habil., Ass. Prof.

Rossi St., 2, Saint-Petersburg, 191023



S. V. Lavrova
Vaganova Ballet Academy
Russian Federation

Dr. Habil; Ass. Prof.; Researcher ID: U-3307-2017

Rossi St., 2, Saint-Petersburg, 191023



References

1. Lokus. Trisha Braun. 1975 [E`lektronny`j resurs]. URL:http://roomfor.ru/locus-trisha-brown-1975/ (data obrashheniya: 01.11.2019).

2. Goldberg R. Iskusstvo performansa. Ot futurizma do nashix dnej. M.: Ad Marginem Press, Muzej sovremennogo iskusstva «Garazh», 2019. 320 s.

3. Sol Levitt. Paragrafy` o konceptual`nom iskusstve. Tezisy` konceptual`nogo iskusstva [E`lektronny`j resurs] URL:https://sol-lewitt.livejournal.com/3844.html (data obrashheniya: 01.11.2019).

4. Brown T. Trisha Brown: Talking Art and Dance. Walker Art Center, 22 April 2008 [E`lektronny`j resurs] URL:http://www.walkerart.org/channel/2008/trisha-brown-talking-art-and-dance (data obrashheniya: 01.11.2019).

5. Rosenberg S. Choreography as Visual Art // October Magazine. OCTOBER 140, Spring 2012. P. 18–44.

6. Novik Yu. O., Lavrova S. V. Bob Raushenberg v istorii tancza postmodern: tvorcheskoe vzaimodejstvie s Polom Tejlorom // Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoj. 2019. № 4 (63). S. 25–38.

7. Novik Yu. O., Lavrova S. V. Bob Raushenberg v istorii tancza postmodern: tvorcheskoe vzaimodejstvie s Mersom Kanningemom // Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoj. 2019. № 5 (64). S. 50–70.

8. Yasy`r A. Analiz dvizhenij Rudol`fa Labana [E`lektronny`j resurs] URL: http://telo.by/anatomy/analiz_dvizheniy_r_labana/ (data obrashheniya: 01.11.2019).

9. Xodgson Dzh. Masterstvo dvizheniya: zhizn` i rabota Rudol`fa Labana URL: http://girshon.ru/article/masterstvo-dvizheniya-zhizn-i-rabota-rudolfa-labana/ (data obrashheniya: 30.10.2019).

10. Sommer S. R. Equipment Dances: Trisha Brown // The Drama Review: TDR 1972. Vol. 16. No 3 (T. 55). September. P. 135-141.

11. Bejns S. Terpsixora v krossovkax. Tanecz postmodern. M.: OOO «Art Gid», 2018. 312 s.

12. Stephano E. Moving structures // Art and Artists. 1974. Vol. 8. January. P. 17.

13. Merlo-Ponti M. Fenomenologiya vospriyatiya. 1999. SPb.: «Yuventa». «Nauka», 1999. 605 s.

14. Kuryumova N. Sovremenny`j tanecz: modeli telesnosti. Peterburgskij teatral`ny`j zhurnal. 2014. № 3 (77) [E`lektronny`j resurs] URL:http://ptj.spb.ru/archive/77/body-in-motion/sovremennyj-tanec-modeli-telesnosti/ (data obrashheniya: 30.10.2019).

15. Glavny`j balet stoletiya: Oskar Shlemmer i teatr Bauxauza [E`lektronny`j resurs]. URL:https://artchive.ru/publications/4182~Glavnyj_balet_stoletija_Oskar_Shlemmer_i_teatr_Baukhauza (data obrashheniya: 30.10.2019).

16. Rosenberg S. Trisha Brown’s Notebooks // October Magazine, Ltd. and Massachusetts Institute of Technology. OCTOBER 140, Spring 2012, R. 3–17. URL:https://monoskop.org/images/8/83/Rosenberg_Susan_2012_Trisha_Browns_Notebooks.pdf (data obrashheniya: 30.10.2019).

17. Lu Shirley Dai. Dancing and Drawing in Trisha Brown’s Work: A Conversation Between Choreography and Visual Art // Combined Senior Thesis in Dance and Art History. Spring 2016.


Review

For citations:


Novik Yu.O., Lavrova S.V. Trisha Brown: To the problem of body movement through space. Bulletin of Vaganova Ballet Academy. 2019;(6):33-49. (In Russ.) https://doi.org/10.26294/ARB.2019.65.6.001

Views: 834


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1681-8962 (Print)