ANTHROPOLOGICAL FOUNDATION OF E. BARBA’S THEATRE ANTHROPOLOGY CONCEPT
https://doi.org/10.26294/ARB.2019.61.30039
Abstract
The article is devoted to the analysis of the concept of the so-called anthropological theatre of E. Barba, which was formed in the conditions of paradigmatic dominance of anthropology in the European science of the 20th century. A variant of the interpretation of this concept is proposed in terms of its minimally and maximally permissible connections with general anthropology and its most important disciplinary components by ftting the most relevant theoretical and methodological anthropological context to E. Barba’s theatre anthropology. The main conclusions are based on the textual analysis of theatre anthropology program documents (A Dictionary of Theatre Anthropology: The Secret Art of the Performer, The paper canoe. A Guide to Theatre Anthropology) reflecting the specifc understanding of the subject of theatre anthropology by its author-creator E. Barba.
About the Author
Yu. O. Novik
Vaganova Ballet Academy
Russian Federation
Russian Federation
Yulia O. Novik — Dr. Habil., Associate Prof.
2, Zodchego Rossi St., Saint Petersburg, 191023
References
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Review
For citations:
Novik Yu.O. ANTHROPOLOGICAL FOUNDATION OF E. BARBA’S THEATRE ANTHROPOLOGY CONCEPT. Bulletin of Vaganova Ballet Academy. 2019;(2):100-113. (In Russ.) https://doi.org/10.26294/ARB.2019.61.30039
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