GAGA MOVEMENT LANGUAGE: PRACTICAL APPLICATION IN BALLET THEATRE
Abstract
The article is devoted to the dance laboratory ‘Gaga for Ballet’ and the integration of the Gaga movement language into the academic dance practice in Russia. The author describes the features of the Gaga technique, the tools used by teachers at the laboratory and analyzes the experience gained by artists in the framework of the technical classes and the repertoire of the Batsheva Dance Company (Israel).
About the Author
O. Y. TimoshenkoRussian Federation
Olga Y. Timoshenko — Postgraduate student
6 Maly Kislovsky lane, Moscow, 125009
References
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Review
For citations:
Timoshenko O.Y. GAGA MOVEMENT LANGUAGE: PRACTICAL APPLICATION IN BALLET THEATRE. Bulletin of Vaganova Ballet Academy. 2019;(2):40-59. (In Russ.)