‘SIGNS OF REqUIEM’: INTERPRETATION OF ICONOGRAPHIC FORMULAE IN PAINTINGS BY SOLOMON GERSHOV (1906–1989)
Abstract
The article is concerned with works by Leningrad painter Solomon Moiseevich Gershov (1906–1989) and Requiem as a recurring theme of his late period. A number of Gershov's artworks of 1960-s — 1980-s are considered as a subjective interpretation of the Passion of Christ iconography. On the basis of established iconographic templates the artist developed his own enduring visual formulae, which in the article are conventionally called “Requiem signs”.
About the Author
Irina G. Mamonova
St. Petersburg State University, 15, Vasilyevsky island 6th line, St. Petersburg,
199004
Russian Federation
Cand. Sci. (Arts)
Russian Federation
Cand. Sci. (Arts)
References
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3. Ehnder A. Zametka o vystavke proizvedenij Gershova // OR GRM. F. 181. Ed. hr. 48.
4. Stenogramma tvorcheskoj vstrechi s hudozhnikom S. M. Gershovym // CGALI F. 78. Op. 7. D. 719.
5. Rekviem Mocarta // Muzykal’naya literatura zarubezhnyh stran [Elektronnyj resurs] URL: http://musike.ru/index.php?id=33 (data obrashchenija: 07.02.2019).
Review
For citations:
Mamonova I.G. ‘SIGNS OF REqUIEM’: INTERPRETATION OF ICONOGRAPHIC FORMULAE IN PAINTINGS BY SOLOMON GERSHOV (1906–1989). Bulletin of Vaganova Ballet Academy. 2019;(1):158-175. (In Russ.)
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