CLASSICAL HERITAGE IN PROFESSIONAL CHOREOGRAPHS AND BALLET MASTERS TRAINING
Abstract
In this article based on the ballet performances — the masterpieces of Russian ballet theatre — La Bayadere by L. Minkus and Sleeping beauty by P. I. Tchaikovsky, the necessity of classical heritage study of previous ballet performances for choreographers and ballet-editors is proved. Great attention is given to the production history of these two performances. Deep professional analysis is carried out for the separate fragments choreographic material. This article is oriented to help understanding of delicate and important for modern ballet repertoire work as choreographer editing.
About the Author
F. V. Lopukhov
Saint Petersburg State Institute of Culture
Russian Federation
Russian Federation
Fedor V. Lopukhov
2, Dvortsovaya nab. (embankment), Saint Petersburg, 191186
References
1. Slonimski Yu. I. P. I. CHajkovski i baletnyj teatr ego vremeni. M.: MUZGIZ, 1956. 336 s.
2. Lopukhov F. V. KHoreografcheskie otkrovennosti. M.: Iskusstvo, 1972. 216 s.
3. Zozulina N.N. «Spyaschaya krasavitsa» M. I. Petipa v redaktsiyakh Mariinskogo — Kirovskogo teatra // Vestnik Akademii Russkogo baleta im. A. YA. Vaganovoj. 2017. № 2 (49). S. 31–60.
4. Rozanova O. I. V poiskakh utrachennogo. «Bayaderka» v Teatre opery i baleta im. M. Musorgskogo // Peterburgski teatral’nyj zhurnal. 2001. № 23. S. 118–122.
5. Lopukhov F. V. V glub’ khoreografii. SPb. Kompozitor, 2017. 275 s.
Review
For citations:
Lopukhov F.V. CLASSICAL HERITAGE IN PROFESSIONAL CHOREOGRAPHS AND BALLET MASTERS TRAINING. Bulletin of Vaganova Ballet Academy. 2018;(6):187-196. (In Russ.)
Views:
420
Email this article 