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PSYCHOPHYSIOLOGY AND THEATRE EDUCATION

Abstract

The article presents the strategy and methods of research in the laboratory of psychophysiology of performing arts in St. Petersburg Theatre arts Academy (Institute of Performing arts). It focus on the actor's creativity during the educational process in high theatre school.

About the Author

L. V. Gracheva
Russian State Institute of Performing Arts
Russian Federation

Larisa V. Gracheva — Dr. Sci. (Arts), Ass. Prof

34, Mokhovaya St., Saint Petersburg, 191028



References

1. Danko S. G. The Reflection of Different Aspects of Brain Activation in the Electroencephalogram: Quantitative Electroencephalography of the States of Rest with the Eyes Open and Closed // Human Physiology. 2006. Vol. 32. № 4. P. 377–388.

2. Gracheva L. V. Akterski trening: teoriya i praktika. SPb.: Rechʼ, 2003. 168 s.

3. Gracheva L. V. Emocionalʼni trening: Iskusstvo vlastvovatʼ soboj. SPb.: Rechʼ, 2004. 120 s.

4. Gracheva L. V. Psihotehnika aktera: Uchebnoe posobie. SPb.: Izdatelʼstvo “Lanʼ”; Izdatelʼstvo “PLANETA MUZYKI”, 2015. 384 s.

5. Danilova N. N., Krylova A. L. Fiziologiya vysshej nervnoj deyatelʼnosti. M.: Uchebnaya literatura, 1997. 431 s.

6. Demidov N. V. Tvorcheskoe nasledie: V 4 t. T. 1. SPb.: Giperion, 2004. 421 s.


Review

For citations:


Gracheva L.V. PSYCHOPHYSIOLOGY AND THEATRE EDUCATION. Bulletin of Vaganova Ballet Academy. 2018;(6):174-186. (In Russ.)

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ISSN 1681-8962 (Print)