THE SEAGULL IN ALEXANDRINSKY THEATRE DIRECTED BY KRYSTIAN LUPA IN THE MIRROR OF THEATRE CRITICISM
Abstract
The article arises the actual problems of the theatrical interpretation of classical dramatic texts, the issues of intercultural relations in the contemporary theatrical process, analyzes critical polemics around the production of Chekhov’s Seagull in the Alexandrinsky theatre, directed by the outstanding Polish artist Christian Lupa in 2007. The analysis allows to reveal the mechanisms of creative transformation of Chekhov’s play in the context of modern existential concepts.
About the Author
A. A. Chepurov
Russian State Institute of Performing Arts
Russian Federation
Russian Federation
Alexander A. Chepurov — Dr. Sci. (Arts), Ass. Prof
34, Mokhovaya St., Saint Petersburg, 191028
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Review
For citations:
Chepurov A.A. THE SEAGULL IN ALEXANDRINSKY THEATRE DIRECTED BY KRYSTIAN LUPA IN THE MIRROR OF THEATRE CRITICISM. Bulletin of Vaganova Ballet Academy. 2018;(6):155-173. (In Russ.)
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