ANALYSIS OF MUSICAL FORMS IN THE PROCESS OF CHOREOGRAPHERS TRAINING
Abstract
The article deals with the features of teaching the course “analysis of musical forms in Amateur choreographic work” in the framework of the master's program “Theory and practice of management of choreographic Amateur group” areas of training 51.04.02 “Folk art culture”. The importance of the introduction of the theme of the relationship of musical form and choreographic composition into the content of the discipline is emphasized. The algorithm of its disclosure is developed by analyzing the musical material by ear and working with notes, analyzing the features of the choreographic embodiment of the musical form. An analytical review of the musical material of textbooks on the analysis of the form of musical works is given. The specificity of the selection of musical material for the analysis of musical forms by students-choreographers. The subject of analysis is Tchaikovsky's ballet “The Nutcracker”, characterized by a variety of musical forms. On the example of “Snow flakes Waltz” the author offers the study of such musical forms as: period, simple three-part form, complex three-part form, sonata form; the interrelation of musical form and dance in the production of J. Balanchine, provides a comparison scheme of musical form and choreographic composition. The method of work is developed, designed to promote the development of students-choreographers skill of building musical and choreographic synthesis.
About the Author
V. V. Leleko
Saint Petersburg State Institute of Culture.
Russian Federation
Russian Federation
Cand. Sci. (Cultural studies).
2, Dvortsovaya nab. (embankment), Saint Petersburg, 191186.
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Review
For citations:
Leleko V.V. ANALYSIS OF MUSICAL FORMS IN THE PROCESS OF CHOREOGRAPHERS TRAINING. Bulletin of Vaganova Ballet Academy. 2018;(3):29-42. (In Russ.)
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