STRAVINSKY’S EARLY BALLETS FIREBIRD AND PETRUSHKA IN THE SOVIET PORCELAIN: TO THE QUESTION OF THE DEVELOPMENT OF IMAGES
Abstract
The development of images of ballets by I. Stravinsky’s “Firebird” and “Petrushka” in porcelain is in the focus of the article. Based on the analysis of porcelain figurines made in the 1920-1980s. (the work of D. Ivanov in 1919-1922 and their reproduction in the 1950s, the work of A. Kiselev 1966 and E. Eropkina 1988-1991), stages of the development of images of early ballets of Stravinsky in Soviet porcelain are presented. In addition to the historical typology, special attention is paid to the evolution of images. The point of view of the place and role of the musical heritage of Stravinsky in the Soviet official culture and its influence on everyday culture is the basis of paper.
About the Authors
O. S. Sapanzha
Herzen State Pedagogical University of Russia
Russian Federation
Russian Federation
Olga S. Sapanzha,Dr. Sci. (Cultural studies)
48, Moyki nab., St. Petersburg, 1191186
N. A. Balandina
XX years after the War. The Museum of Leningrad everyday life culture: 1945–1965
Russian Federation
Russian Federation
Natalya A. Balandina
19, 4th line of Vasilievsky Island, St. Petersburg, 199004
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Review
For citations:
Sapanzha O.S., Balandina N.A. STRAVINSKY’S EARLY BALLETS FIREBIRD AND PETRUSHKA IN THE SOVIET PORCELAIN: TO THE QUESTION OF THE DEVELOPMENT OF IMAGES. Bulletin of Vaganova Ballet Academy. 2018;(1):69-78. (In Russ.)
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