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From Martha Graham to Ohad Naharin: from a modernist style to a postmodern style

Abstract

There is considered the transformation of the art of dance and its language in Israel in this article. In the national literature this phenomenon is not studied systematically, sources, written by Russian language, are practically absent. The role of the choreographic language is demonstrated here in the modernization of art, culture and consciousness of the people. The phenomenon of the dance theatre is being comprehended, its relation to the national tradition, indigenous innovations in choreography, the manifestations of postmodernism in the art of dance. There are characterized particular style of O. Nakharina, language features and Gaga’s techniques, production of Batsheva Dance Company.

About the Author

Olga V. Ryzhankova
Krasnodar State Institute of Culture
Russian Federation


References

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Review

For citations:


Ryzhankova O.V. From Martha Graham to Ohad Naharin: from a modernist style to a postmodern style. Bulletin of Vaganova Ballet Academy. 2017;(5):35-44. (In Russ.)

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ISSN 1681-8962 (Print)