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Experience working on the renewal of costumes for the ballet Romeo and Juliet staged by L. Lavrovsky in the Bolshoi Theater of Russia (2023/24)

Abstract

The article presents the experience of personal scientific reflection on the implemented project of resuming costumes for the ballet Romeo and Juliet staged by L. Lavrovsky on the stage of the Bolshoi Theater of Russia in the 2023/24 time window. The uniqueness of this discourse makes it possible to combine methodological approaches for artistic and scientific practices. Biographical, analytical, hermeneutic, comparative descriptive, iconographic, and modeling methods were used in the course of work on the restoration of costumes. The conclusion is made about the importance and necessity of descriptive and analytical procedures based on the results of participation in art projects in order to summarize the experience and apply the findings in research, pedagogical and applied fields of activity.

About the Author

T. K. Noginova
Vaganova Ballet Academy
Russian Federation

Postgraduate Student.

2, Zodchego Rossi St., St. Petersburg, 191023



References

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10. Williams Peter Vladimirovich. Modernism without a manifesto. Collection of Roman Babichev. URL: https://babichevcollection.com/vilyams-pyotr-vladimirovich (date of access of the request: 17. 10.2024).

11. Peter Williams on his work on "Romeo and Juliet" // The Soviet Artist. 1946. June 18.


Review

For citations:


Noginova T.K. Experience working on the renewal of costumes for the ballet Romeo and Juliet staged by L. Lavrovsky in the Bolshoi Theater of Russia (2023/24). Bulletin of Vaganova Ballet Academy. 2025;(1):80-96. (In Russ.)

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ISSN 1681-8962 (Print)