The Sound Score of movies by Terrence Malick (on the example of his second working period)
Abstract
The article raises the issue of the multidimensional dramatic interaction of the visual and auditory series of the film, contributing to the conceptual unity of the work. Music, speech and noises that make up the sound score of films form a significant, almost self-sufficient artistic component of the film text. This phenomenon is considered by the example of films from the second period of Terrence Malick’s work.
Theses from theoretical works on sound by S. M. Eisenstein and B. Balázs were used as a methodological basis for the analysis of the films.
About the Author
F. F. Solomentsev
Vaganova Ballet Academy
Russian Federation
Russian Federation
Solomentsev F. F. — Postgraduate Student;
2, Zodchego Rossi St., St. Petersburg, 191023
References
1. Shak T. F. Muzyka v strukture mediateksta (na materiale hudozhestvennogo i animacionnogo kino): diss. … d-ra iskusstvovedeniya: 17.00.02. Krasnodar. 2010. 332 s.
2. Rusinova E. A. Formirovanie zvukovyh prostranstv v kinematografe: avtoref. diss. ... d-ra iskusstvovedeniya: 17.00.03. M. 2021. 57 s.
3. Gitis M. I. Strukturnye osobennosti zvukozritel’nogo kontrapunkta, ispol’zuemogo v kachestve komicheskogo priema // Izvestiya Rossijskogo gosudarstvennogo pedagogicheskogo universiteta im. A. I. Gercena. 2012. № 3. C. 196–203.
4. Bugaeva L. D. Audiovizual’naya metafora v intertekstual’nom prostranstve fil’ma // Estetika zvuka na ekrane i v knige: Mat-ly vseros. nauch. prakt. konf. M.: VGIK, 2016. S. 3–14.
5. Ejzenshtejn S. M. Budushchee zvukovoj fil’my. Zayavka (1928) // Izbrannye proizvedeniya: v 6 t. M.: Iskusstvo, 1964. T. 2. S. 315–316.
6. Ejzenshtejn S. M. Montazh. M.: Muzej kino, 2000. 592 s.
7. Russolo L. Iskusstvo shumov // Protivodejstvie entropii. 2015. URL: https://www.etheroneph.com/audiosophia/112-lrussolo-iskusstvo-shumov.html (data obrashcheniya: 06.02.2024)
8. Murray Schafer R. The new soundscape: a handbook for the modern music teacher. Scarborough, Ontario: Berandol Music Limited, 1969. 67 p.
9. Balash B. Kino: stanovlenie i sushchnost’ novogo iskusstva. M.: Progress, 1968. 328 s.
10. Maher P. One Big Soul: An Oral History of Terrence Malick. Morisville: Lulu Press, 2015. 194 p.
11. Chion M. The Thin Red Line. London: BFI Film Classics, 2004. 96 p.
12. West R. Ryan Gosling, Michael Fassbender Kick Off SXSW 2017 With ‘Song to Song’ // Entertainment Tonight Canada. 11 Mar 2017. 3:07 PM. URL: http://etcanada.com/news/210629/ryan-gosling-michael-fassbender-kick-off-sxsw-2017-with-song-to-song/ (data obrashcheniya: 06.02.2024)
13. Rancière J. The Future of the Image / transl. from French by Gr. Elliott. London; New York: Verso, 2007. 147 p.
14. Rybin St. Terrence Malick and the Thought of Film. Maryland: Lexington Books; 1st edition, 2011. 236 p.
15. V’ezhbicki D. Zvukovoj ryad kak muzyka: o novyh putyah v izuchenii kinoiskusstva Zakadrovoe iskusstvo istorii i teorii kinomuzyki //Vestnik Moskovskoj konservatorii. 2013. № 3. S. 120–135.
16. Miller Henry K. «Song to song» // Sight and Sound. 2017. №. 27. P. 58–59.
17. Kerstein B. The Beautiful Light: A Contemplation of Terrence Malick // The Federalist. 2013. URL: https://thefederalist.com/2013/12/19/beautiful-light-contemplation-terrence-malick/ (data obrashcheniya: 06.02.2024)
18. Gajsler N.-L. Enciklopediya hristianskoj apologetiki. SPb.: Bibliya dlya vsekh, 2004. 184 s.
19. Dolin A. Krest neveriya. Na Venecianskom kinofestivale pokazali novye raboty Terensa Malika i Ul’riha Zajdlya // GAZETA.RU. 03 sent. 2012. URL: https://www.gazeta.ru/culture/2012/09/03/a_4750437.shtml (data obrashcheniya: 06.02.2024)
Review
For citations:
Solomentsev F.F. The Sound Score of movies by Terrence Malick (on the example of his second working period). Bulletin of Vaganova Ballet Academy. 2024;(6):158-176. (In Russ.)
Views:
56
Email this article 