The evolution of traditional Japanese theater in the 21st century
Abstract
The article deals with the principles according to which traditional forms of the Japanese theater (Noh,) are currently developing and changing. The author comes to the conclusion that a synthesis of genres within the types of theater and a development of interspecific relations can be observed. The influence of European forms of theater gives rise to independent theater groups in Japan. Several performances of the modern repertoire are described: “The Haunted House” (Kabuki), Journey to the West (Bunraku), and also the activities of a modern stage director Miura Motoi and his theater company Chiten.
About the Author
V. I. Maksimov
Vaganova Ballet Academy
Russian Federation
Russian Federation
Maksimov V. I. — Dr. Habil. (Art), Prof.;
2, Rossi St., Saint-Petersburg, 191023
References
1. Ocuki Gentaku, Simura Hiroyuki. Kankaj ibun. Udivitel’nye svedeniya ob okruzhayushchih Zemlyu moryah. SPb.: Giperion, 2009. 391 s.
2. V avguste oshchuti prohladu v kabuki: buklet [八月納涼歌舞伎]. Tokio: 東京, 2024. 94 p. (na yap. yaz.)
3. Bart R. Imperiya znakov. M.: Ad Marginem Press, 2023. 167 s.
4. Sontag S. Zametki o bunraku // Sontag S. Pod udareniem. M.: Ad Marginem, 2024. S. 146‒149.
5. Dzeami Motokiyo. Predanie o cvetke stilya, ili Predanie o cvetke. M.: Nauka, 1989. 199 s.
6. Stepanova P. M. Elementy ritual’no-teatral’noj formy nogaku v postanovke Motoi Miura «Prestuplenie i nakazanie» (2023) F. M. Dostoevskogo v Bol’shom Dramaticheskom teatre // Zapiski Sankt-Peterburgskoj teatral’noj biblioteki. Vyp. 15. SPb.: Chistyj list, 2023. S. 208‒212.
7. Miura Mitoi. Razmyshlenie o p’ese, kotoraya potom stala tragediej [三浦基. やっぱり悲 劇だった: 「わからない」演劇へのオマージュ ] / 東京都千代田区 : 岩波書店, 2019. 194 r. (na yap. yaz.)
Review
For citations:
Maksimov V.I. The evolution of traditional Japanese theater in the 21st century. Bulletin of Vaganova Ballet Academy. 2024;(6):89-99. (In Russ.)
Views:
85
Email this article 