Dance Art of the Tatars of the Volga-Ural Region and Instrumental Creativity
Abstract
The article raises the problem of the relationship between the dance art of the Tatars of the Volga-Ural region and instrumental creativity. The importance of the musician as the initiator of the dance process, his inclusion in the dramaturgy of the dance, and his encouragement of the dancers allow us to talk about the important role of the instrumentalist in the process of dancing among the Tatars. The instruments that participated in dance-instrumental ensembles, instrumental and vocal-instrumental genres that accompanied dance actions are considered. The source for the study was the works of leading ethnochoreologists of Tatarstan G. Tagirov, D. Umerov, K. Bikbulatov, which conveyed the features of the interaction of dancers and musicians in the Tatar dance art, as well as the author’s expedition materials on the instrumental culture of the Tatars of the Volga-Ural region.
About the Author
D. A. Bulatova
Russian Institute for the History of the Arts
Russian Federation
Russian Federation
Bulatova D. A. — Cand. Sci. (Art), Senior Researcher, Organology Department;
5, Isaakievskaya Sq., St. Petersburg, 190000
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Review
For citations:
Bulatova D.A. Dance Art of the Tatars of the Volga-Ural Region and Instrumental Creativity. Bulletin of Vaganova Ballet Academy. 2024;(6):52-62. (In Russ.)
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