The phenomenon of frame-thinking in New music of postserializm
Abstract
The aim of the article is to analyze the phenomenon of frame of thinking in music of postserializm. As a scientific paradigm, it had a strong influence on modern consciousness, and the specifics of the composer’s thinking. The new concept of music is a universal frame structure - a mental construct, a way of thinking, the structural frame, which becomes a tool for the design of the content. For postserialistic epoch framing the way the information becomes heir to the tradition of serial structural thinking and at the same time sound and visual way to maintain relations with tonal music. This method has the information capacity and versatility. It is based on identifying the relationships of various elements and forms a visual representation of information, often with the help of graphic and symbolic structures. The author identifies three ways of frame presentation of information in the new music: the frame structure, the frame-visual image and frame the story. As the musical examples are the works of H. Lachenmann and S. Sciarrino.
References
1. Lachenmann H. Musik als existentielle Erfahrung: Schriften 1966-1995. Edited by Josef Häusler. Mainz: Breitkopf und Härtel, 1996. 476 с.
2. Carratelli, C.: L’Integrazione dell’estetico nel poetico nella poetica musicalepost-structuralista. Il caso di Salvatore Sciarrino, Una «Composizione dell’ascolto» Paris, Tthese e de docteur, 2006, 409 p., p.149
3. Sciarrino S. Le figure della musica: da Beethoven a oggi. Milano: Ricordi,1998. 148 с.
4. Sciarrino S. Carte da suono scritti 1981-2001. CIDIM-Novecento, 2001. 339 с.
Review
For citations:
Lavrova S.V. The phenomenon of frame-thinking in New music of postserializm. Bulletin of Vaganova Ballet Academy. 2015;(5):155-160. (In Russ.)
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