Folk instruments and traditions of performance in Southern Dagestan during the period of oral professionalism
Abstract
The article is devoted to folk musical instruments and traditions of performance in Southern Dagestan, which largely determine the features of instrumental creativity of representatives of the modern school of composition. From the author’s point of view, folk instrumental music of South Dagestanis reached its peak during the period of oral professionalism. The numerous musical instruments of Southern Dagestan, testifies to a rich and distinctive culture, which has its own regional characteristics. Valuable sources for determining the tools are not only ethnographic works, scientific publications, but also poetic stanzas from classical poetry. The author’s research interest is also focused on the traditional ensemble composition of musicians, their characteristic forms of music-making are determined. Special attention is paid to the musical practice of ashugs, in the performance of which there are several types of tunes. The author of the article concludes that traditional musical performance reflects the personal qualities of musicians, their worldview, traditions and customs.
About the Author
M. A. Abdulaev
Rachmaninov Rostov State Conservatory
Russian Federation
Russian Federation
Methodologist
Center for Additional Professional Education
344002
23, Budennovsky prospect
Rostov-on-Don
References
1. Shahnazarova N. G. Muzyka vostoka i muzyka Zapada. Tipy muzykal’nogo professionalizma. M.: Sov. kompozitor, 1983. 153 s.
2. Varlamov D. I. Metamorfozy muzykal’nogo instrumentariya: neofilosofiya narodno-instrumental’nogo iskusstva XXI veka. Saratov: Akvarius, 2000. 142 s.
3. Hornbostel’ E. M. fon, Zaks K. Sistematika muzykal’nyh instrumentov / per. I. Z. Alender // Narodnye muzykal’nye instrumenty i instrumental’naya muzyka. M.: Sov. kompozitor, 1987. S. 229–261.
4. Hanukaev X., Plotkin M. Dagestanskaya narodnaya muzyka. Mahachkala: Daggiz, 1948. 44 s.
5. Yakubov M. A. Atlas muzykal’nyh instrumentov narodov Dagestana. Mahachkala: Izd-vo DNC RAN, 2003. 240 s. s ill.
6. Gasanov G. A. Desyat’ let muzykal’noj etnografii v Dagestane // Desyat’ let nauchnyh rabot v Dagestane. Mahachkala: Daggiz, 1928. S. 61–75.
7. Kajmarazova L. G. Izuchenie kul’tury narodov Dagestana v 20-e gg. XX v. // Vestnik Instituta IAE. 2014. № 1. S. 72–84.
8. Hanzhov Yu. G. Muzykal‘noe iskusstvo Dagestana. Mahachkala: UDPO MCPK, RDNT MK RD, 2018. 278 s.
9. Kerimov S. A. Narodnoe muzykal‘noe tvorchestvo lezgin. Mahachkala: Dagestan. dom narod. tvorchestva, 1961. 40 s.
10. Korkmasova M. A. Dagestanskaya simfoniya: Problemy stanovleniya. Mahachkala, 1990. 101 s.
11. Abdullaeva E. B., Magomedov A. D. Tradicionnye muzykal‘nye instrumenty Dagestana: Sovremennye praktiki izgotovleniya. Tambov: Gramota, 2016. № 11 (73): v 2 ch. Ch. 2. S. 13–17.
12. Yarahmedov M. Ya. Iz istorii azerbajdzhansko-dagestanskih literaturnyh svyazej. Baku: Elm, 1985. 287 s.
13. Tvorcheskoe nasledie Etima Emina: sb. st. / Dag. fil. AN SSSR, In-t istorii, yazyka I literatury G. Cadasy, sost. A. A. Rashidov. Mahachkala: DFAN, 1990 (1991). 115 s.
14. Poeziya narodov SSSR IV–XVIII vekov: sb. per. / sost. i vstup. stat’ya, s 5 po 41, L. Arutyunov, V. Taneev. M.: Hudozh. Lit., 1972. T. 55. S. 736–737.
15. Tumanov G. M. Kavkaz: spravochnaya kniga, sostavlennaya starozhilom. Tiflis: tip. L. G. Kramarenko, 1887. 422 s.
16. Abdullaeva S. A. Narodnyj muzykal’nyj instrumentarij Azerbajdzhana (muzykovedchesko-organologicheskoe issledovanie). Baku: Elm, 2000. 486 s. s ill.
Review
For citations:
Abdulaev M.A. Folk instruments and traditions of performance in Southern Dagestan during the period of oral professionalism. Bulletin of Vaganova Ballet Academy. 2022;(6):43-53. (In Russ.)
Views:
326
Email this article 