Preview

Bulletin of Vaganova Ballet Academy

Advanced search

Rhizome and Network Concepts: Innovations in Modernist and Post-modernist Anglophone Writing and New Music

Abstract

This research aims to show the importance of paradigm change consideration and it’s direct pertinence to to post-structuralist philosophy as well as the French poststruсturalist Gilles Deleuze; in particular his idea of rhizome as related to network concepts through the process of revealing innovations in modernist and postmodern poetry and prose (the example chosen is the poetry by T. S. Eliot, the prose by J. Winterson). Rhizome and network concepts are directly related to a contemporary view from the state-of the art paradigm associated with cultural and social development and often viewed as applicable to the study of literary texts. The chosen methodology includes the structural semantic study of literary texts and the analysis of the views on the innovations in modernist and postmodern poetry. The results of the research allow us to hypothesize that postmodern philosophy is directly applicable to the study of modernist (as well as post-modernist and contemporary literary texts) if not social processes. One of the possible examples could be seen in the development of poetic paradigm with modernist (and post-modernist) writing which uses language as a medium, when a poem becomes a means of expressing the transcendental and actualizing the network concept. Rhizome and network concepts allow one to see common patterns of development and innovation of poetic, literary, cultural, and philosophic scenes; characteristics of the contemporary aesthetic paradigm. An important part of this research is the comparison of the language of music and literary texts, finding common patterns of their development.

About the Author

N. F. Shcherbak
Saint-Petersburg University
Russian Federation

Cand. Sci. (Phylology), Ass. Prof.

Universitetskaya nab., 7/9,St. Petersburg, 199034



References

1. Sshober R. Network concepts. Transcending Boundaries: The Network Concept in Nineteenth-Century American Philosophy and Literature // American Literature. 2004. Vol. 86. № 3. DOI: https://doi.org/10.1215/00029831-2717389 (data obrashheniya: 01.08.2022).

2. The power of network concepts. URL: https://www.youtube.com/ watch?v=nJmGrNdJ5Gw (data obrashheniya: 01.08.2022).

3. Delez Zh. Logika smy`sla. M.: Centr «Akademiya», 1995. S. 22–24.

4. Deleuze G. Difference and repetition. Translated by Paul Patton. URL: http://dl219.zlibcdn.com/dtoken/481fa7e083dd940f76d2d6a6e4765123 (data obrashheniya: 23.03.2020).

5. Wittgenstein L. Culture and value / Ed G. H. von Wright in collaboration with Heikki Nyman. Translated Peter Winch. Chicago: University of Chicago Press, 1980. 234 p.

6. Levin J. The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism. Durham, NC: Duke Univ. Press,1999. P. 40–53.

7. Wilson E. Romantic Turbulence: Chaos, Ecology, and American Space. New York: St. Martin’s Press, 2000. P. 27–49.

8. Lavrova S. V. Sal`vatore Sharrino i drugie. SPb: Akademiya Russkogo baleta, 2019. S. 123–139.

9. Lavrova S., Shherbak N. Muzy`ka yazy`ka i melodika rechi (Nabokov i Novaya muzy`ka). NLO. 2021. № 170 (4). S. 90–102.

10. Eliot T. S. “The functions of criticism” in Selected Prose / Ed. Fr. Kermode. New York: Harcourt Brace, 1975. P. 68–76.

11. Criticism and culture. The role of critique in modern literary theory / Eds. Robert con Davis and Ronald Schleiffer. Harlow: Longman, 1991. P. 68–80.

12. Babbit Irving. Rousseau and Romanticism. Boston and New York: Houghton Muffin, 1919. 23 p.

13. Hulme T. E. Speculations. London: K. Paul, Trench, Trubner and Co. 1924. R. 45.

14. Fenollosa Ernest. The Chinese Written character as a Medium of poetry. Washington: Square Dollar Series, 1956. R. 2–20.

15. Eliot T. S. The Use of Poetry and The Use of Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber; Cambridge, Mass.: Harvard University Press, 1933. 34 p.

16. Bernstein Ch. Content’s dream essays. 1975-84. Los Angeles: Sun and Moon, 1986. 33 p.

17. Waldrop R. “Thinking of Follows”. In Onward: Contemporary poetry and poetics / Ed. Peter Baker. New York: Peter Lang, 1996. P. 73–82.

18. Eliot T. S. “Tradition and the Individual talent” // Selected Prose / Ed. Frank Kermode. New York: Harcourt Brace, 1975. P. 37–44.

19. Perloff M. 21st century modernism. The new poetics. Oxford: Blackwell Publishers, 2002. P. 7–43.

20. Yangfel`dt B. Yazy`k est` Bog. Zametki ob Iosife Brodskom / Per. B. Yangfel`dta. M.: Astrel`, CORPUS, 2012.

21. Eliot T. S. Four Quarters. New York: Faber and Faber, 1994. R. 34.

22. Winterson J. Gut Symmetries. Random House, 1997. P. 45–47.

23. Winterson J. The Power Book. Vintage, 2001. P. 34–35.

24. Lavrova S. V. Sharrino i drugie. Ob ital`yanskoj muzy`ke koncza XX – nachala XX vv. SPb.: Akademiya Russkogo baleta. 56 s.

25. Xrushheva N. Metamodernizm v Novoj muzy`ke i vokrug nee. SPb.: Ripol–klassik. C. 23–59.


Review

For citations:


Shcherbak N.F. Rhizome and Network Concepts: Innovations in Modernist and Post-modernist Anglophone Writing and New Music. Bulletin of Vaganova Ballet Academy. 2022;(4):163-179.

Views: 207


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1681-8962 (Print)