Dance and plastic images in S. Slonimsky’s opera The Master and Margarita
Abstract
The article is devoted to the character images of the opera The Master and Margarita by S. Slonimsky, decided by the composer by means of dance and plastic, but without vocals. Their connection with the genesis of Bulgakov’s literary text and the long traditions of the opera genre refracted by the composer in his composition was revealed. The dramatic significance in the opera of Slonim’s images of Koroviev (Bassoon), Behemoth, which have an instrumental-plastic characteristic, and dance episodes (ball at Satan) is determined. The additional inclusion of the main characters (Masters and Margarita) in the final episode of the opera by the choreographers of the dance was considered.
About the Author
A. V. Gorn
Vaganova Ballet Academy
Russian Federation
Russian Federation
Cand. Sci. (Arts), Ass. Prof.
Rossi St., 2, Saint-Petersburg, 191023
References
1. Komarniczkaya O. V. Russkaya opera vtoroj poloviny` XX – nachala XXI vekov: zhanr, dramaturgiya, kompoziciya. Analiticheskie ocherki. M.: Al`teks, 2011. 306 s.
2. Levina E. «Master i Margarita» M. Bulgakova i S. Slonimskogo kak menippeya // Iskusstvo XX veka: Paradoksy` smexovoj kul`tury`. Nizhnij Novgorod, 2001. S. 135–148.
3. Klimoviczkij A. I. Opera Sergeya Slonimskogo «Master i Margarita» // Problemy` teatral`nogo naslediya Bulgakova: sb. nauch. tr. L.: LGITMIK, 1987. S. 105–118.
4. Goncharova N. G. Obraz cherta v russkoj literature (Gogol`, Dostoevskij, Bulgakov) // Dostoevskij i mirovaya kul`tura: Al`m. M.: Akropol`, 2007. № 22. S. 315–357.
5. Buzinovskaya O. I., Buzinovskij S. B. Sem` pechatej Volanda: Glavy` iz knigi // Poe`tika zhanra: sb. nauch. st. Barnaul: Izd-vo Alt. gos. un-ta, 1995. S. 86–112.
6. Buzinovskaya O. I., Buzinovskij S. B. Tajna Volanda: opy`t deshifrovki. SPb.: Lev i Sova, 2007. 506 s.
7. Vulis A. Z. Roman M. Bulgakova «Master i Margarita». M.: Xudozh. lit., 1991. 222 s.
8. Ery`kalova I. E. Fantastika Bulgakova: Tvorcheskaya istoriya, tekstologiya, literaturny`j kontekst. SPb.: Izd-vo SPbGUP, 2007. 283 s.
9. Sergej Slonimskij — sobesednik. Izd. 2-e, ispr. i dop. / red.-sost. E. B. Dolinskaya. SPb: Kompozitor, 2015. 196 s.
10. Dar`yalova L. N. E`. T. A. Gofman i M. Bulgakov: nekotory`e aspekty` xudozhestvennogo my`shleniya // V mire E`. T. A. Gofmana: sb. Kaliningrad: Gofmancentr, 1994. Vy`p. I. S. 167–179.
11. Pavi P. Slovar` teatra / per. s fr., pod red. K. Razlogova. M.: Progress, 1991. 480 s.
12. Aleeva S. G. Opera-misteriya v otechestvennoj̆ muzy`ke poslednix desyatiletiĭ XX veka: nablyudeniya nad specifikoj̆ zhanra // Iskusstvo i obrazovanie. 2011. № 2 (70). S. 64–72.
Review
For citations:
Gorn A.V. Dance and plastic images in S. Slonimsky’s opera The Master and Margarita. Bulletin of Vaganova Ballet Academy. 2022;(4):52-63. (In Russ.)
Views:
230
Email this article 