Ethical aspects of interaction as a methodological basis for partnering in contemporary dance
Abstract
The article addresses the ethical aspects of the interaction of dancers (trust, will, intention, consent, directed communication). The assumption is made and their value as a qualitative characteristic and formative elements of partnering is proved. The concept of partnering extends to interaction with the object and acoustic space. Methodological recommendations on the structure of training in partnering are given. It is concluded that compliance with ethical standards distinguishes the situation of partnership from any other interaction.
Keywords
partnering,
partnership,
interaction,
concept,
modern dance,
contemporary dance,
contact,
ethics,
trust,
attention,
volition,
consent,
communication
About the Author
I. S. Sachkov
Vaganova Ballet Academy
Russian Federation
Russian Federation
Postgraduate Student
Rossi St., 2, Saint-Petersburg, 191023, Russian Federation
References
1. Vidrin I. Partnering as rhetoric. A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Coventry: Coventry University, 2018. P. 112–130.
2. Rheba E., Vetter B. F. A. Effects of partnering class on dancers’ muscular strength, flexibility and body composition. Texas: Denton, 2000. 221 p.
3. Rivieccio K. Exploration of practices in partnering. Phoenix: Arizona State University, 2017. 39 p.
4. Znachenie slova jestetika [Jelektronnyj resurs]. URL: https://kartaslov.ru/значение-слова/эстетика (data obrashhenija: 01.05.2021).
5. Znachenie slova jetika [Jelektronnyj resurs]. URL: https://kartaslov.ru/значение-слова/этика (data obrashhenija: 01.05.2021).
6. Vasenina E. Rossijskij sovremennyj tanec. Dialogi. M.: Emergency Exit, 2004. 296 s.
7. Melovatskaja A. E. Avtorskij kurs po aktjorskomu masterstvu v horeografii: voprosy i perspektivy razvitija // Problemy sovremennogo obrazovanija. 2020. № 3. S. 216–227.
8. Karpov N. V. Uroki scenicheskogo dvizhenija. M.: Izd-vo GITIS, 1999. 184 s.
9. He J., Ravn S. Sharing the dance — in the reciprocity of movement in the case of elite sport dancers. Berlin: Springer Science; Business Media Dordrecht, 2017. P. 99–116.
10. Vidrin I. Embodied ethics: The conditions and norms of communication in partnering // Thinking Touch in Partnering and Contact Improvisation: Pedagogy, Philosophy, Practice / Ed. M. Sacro-Thomas. Cambridge: Cambridge University Press, 2019. P. 1–15.
11. Vidrin I. We Need to Distinguish «Trust» and «Care» in Partnering [Jelektronnyj resurs]. URL: https://www.dancemagazine.com/dance-partnering-2649630166.html (data obrashhenija: 11.02.2021).
12. Compagnie 111 — Aurélien BorySans objet [Jelektronnyj resurs]. URL: https://www. cie111.com/en/spectacles/sans-objet/ (data obrashhenija: 10.04.2021).
13. Enfant — Boris Charmatz [Jelektronnyj resurs]. URL: https://borischarmatz. org/?enfant-47 (data obrashhenija: 10.04.2021).
14. Eastman | Overview [Jelektronnyj resurs]. URL: https://www.east-man.be/en/14/44/ Zero-Degrees (data obrashhenija: 10.04.2021).
15. Godard H., Bigé R. Moving-moved. 2019 [Jelektronnyj resurs]. URL: https:// ru.scribd.com/document/442532640/bige-godard-2019-moving-moved-pdf (data obrashhenija: 11.02.2021).
16. Nikitin V. Ju. Masterstvo horeografa v sovremennom tance. SPb.: Lan’; Planeta muzyki, 2017. 520 s.
17. Kimmel M. Intersubjectivity at Close Quarters: How Dancers of Tango Argentino Use Imagery for Interaction and Improvisation // Journal of Cognitive Semiotics. 2013. Vol. IV. № 1. P. 75–123.
18. Klimenskih M. V., Ershova I. A. Pedagogicheskie konflikty v shkole. Ekaterinburg: Izd-vo Ural. un-ta, 2015. 74 s.
19. Rjaguzova E. V. Teorija i praktika professional’nogo obshhenija. Ch. 1. Psihologija obshhenija [Uchebnoe posobie po discipline]. Saratov: Izd-vo Sarat. un-ta, 2017. 82 s.
20. Hargrove T. Reversibility part one [Jelektronnyj resurs]. URL: https://www. bettermovement.org/blog/2011/reversibility-or-how-to-avoid-sitting-on-a-whoopie-cushion (data obrashhenija: 10.01.2021).
21. Morozov V. A. Vzaimodejstvie: ponjatie, vidy i svojstva // Kreativnaja jekonomika. 2015. № 9 (10). S. 1309–1318.
22. Kucherenko A. L. Tanec kak fenomen telesnosti na primere ispanskogo tanca flamenco // Gumanitarnyj vektor. 2018. № 3. S. 168–175.
23. Afanas’eva V. A. Jetika telesno-orientirovannoj psihoterapii [Jelektronnyj resurs].
24. URL: https://cyberleninka.ru/article/n/etika-telesno-orientirovannoy-psihoterapii (data obrashhenija: 20.04.2021).
25. Diana J. Partnering Protocol: Help Students Get Past the Awkwardness and Work Together — Dance Teacher [Jelektronnyj resurs]. URL: https://dance-teacher.com/ partnering-protocol/ (data obrashhenija: 11.01.2021).
26. Hilton H. The Dos and Don’ts of Partnering [Jelektronnyj resurs]. URL: https://www. dancespirit.com/dos-donts-partnering-2649872736.html?rebelltitem=5#rebelltitem5 (data obrashhenija: 11.02.2021).
27. Znachenie slova ZABOTA. Chto takoe ZABOTA? [Jelektronnyj resurs]. URL: https:// kartaslov.ru/значение-слова/забота (data obrashhenija: 20.04.2021).
28. Znachenie slova OTVETSTVENNOST’. Chto takoe OTVETSTVENNOST’? [Jelektronnyj resurs]. URL: https://kartaslov.ru/значение-слова/ответственность (data obrashhenija: 20.04.2021).
29. Afanas’ev S. G. Psihoanaliz jempatii i jempatija psihoanaliza // Social’no-politicheskie nauki. 2016. № 4. S. 63–66.
30. Gordeeva T. V. Koncepcija «vtelesnosti» v sovremennom tance // Arhitektonika sovremennogo iskusstva: ot moderna k postmodernu. Sankt Peterburg: Izd-vo Akademii Russkogo baleta imeni A. Ya. Vaganovoj, 2015. S. 152–159.
Review
For citations:
Sachkov I.S. Ethical aspects of interaction as a methodological basis for partnering in contemporary dance. Bulletin of Vaganova Ballet Academy. 2021;(4):46-58. (In Russ.)
Views:
623
Email this article 