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Nereid’s scene from “The Sleeping Beauty” of Petipa – Tchaikovsky

Abstract

The article observes specific features of nereid’s scene from the second act of “The Sleeping Beauty”. Based on the review of actions and expressive features, used by ballet master, the author proves the self-sufficiency and uniqueness of this fragment, which continues the tendency of Romanticism of the 19th century.

About the Author

A. P. Bosov
Saint Petersburg Rimsky-Korsakov State Conservatory; Vaganova Ballet Academy; Boris Eifman Dance Academy
Russian Federation

Prof. of St. Petersburg Rimsky-Korsakov State Conservatory, Ass. Prof. of Vaganova Ballet Academy, Ass. Prof. of Boris Eifman Dance Academy

2, liter A, Glinki St., Saint Petersburg, 190000

Rossi St., 2, Saint-Petersburg, 191023

4, liter B, B. Pushkarskaya St., Saint Petersburg, 197198



References

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2. Burlaka Yu., Grucynova A. Libretto baletov Mariusa Petipa. SPb.: Kompozitor, 2018. 644 s.

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4. Konstantinova M. Spyashhaya krasavicza. M.: Iskusstvo, 1990. 239 s.

5. Benua A. Moi vospominaniya: v 5 kn. M.: Nauka, 1980. Ch. 1–3. 711 s.

6. Teatral`ny`j kur`er. Novy`j balet // Peterburgskij listok. 1890. № 3. 4 yanvarya. S. 3–4.

7. Zozulina N. «Spyashhaya krasavicza» M. Petipa v redakciyax Mariinskogo-Kirovskogo teatrov» // Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoj. 2017. № 2 (49) S. 31–60.

8. Kshesinskaya M. Vospominaniya. M.: Artist. Rezhissyor. Teatr, 1992. 414 s.


Review

For citations:


Bosov A.P. Nereid’s scene from “The Sleeping Beauty” of Petipa – Tchaikovsky. Bulletin of Vaganova Ballet Academy. 2021;(3):34-43. (In Russ.)

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ISSN 1681-8962 (Print)