Possible ways to preserve Marius Petipa’s choreographic heritage

Abstract

The article raises the problem of preserving the choreographic heritage of Marius Ivanovich Petipa in the restorations and resumptions of his ballets. The possibilities of using some recordings of Petipa’s choreography in modern stage practice are analyzed (Stepanov’s system), as well as statements of the master of classical dance about the staging process and opinions on authentic productions, renewals and reconstructions of Petipa’s ballets belonging to famous Russian choreographers and dancers (P. A. Gusev, F. V. Lopukhov, K. M. Sergeev, Yu. N. Grigorovich, etc.). The article also contains recommendations for the correct pedagogical approach to classical choreography in preparing students for performing parts in ballet performances (for example, the variation of the fairy Candide in the revival of “The Sleeping Beauty” by outstanding choreographers of the 20th century).