Realistic trends in the work of G. Courbet and Russian peredvizhniki: Comparative research
Abstract
The article is devoted to realism in painting of the XIX century. The aim of the study was to identify the similarities and differences in the understanding of this phenomenon by G. Courbet and Russian artists-peredvizhniki. The novelty of the study lies in the comparison of realistic trends in the work of G. Courbet and Russian artists-peredvizhniki by comparing specific paintings (genre paintings, portraits, self-portraits, landscapes, marinas, still lifes). The comparison was carried out according to the following criteria: the plot, the organization of the space, the color scheme. Common themes, genres, stylistic features and compositional features of realist painting were found. The authors explain this similarity (in the absence of documentary evidence of direct “borrowing” of images and subjects from Courbet by Russian artists) by the common desire for the selected group of realist artists to reflect the phenomena of the surrounding world in painting and the commonality of current artistic trends in Europe and Russia in the nineteenth century.
About the Authors
N. V. Korchagina
Saratov State University
Russian Federation
Russian Federation
Cand. Sci. (Pedagogy), Ass. Prof.
Astrakhankaya St., 83, Saratov, 410012
O. V. Kochukova
Saratov State University
Russian Federation
Russian Federation
Cand. Sci. (History), Ass. Prof.
Astrakhankaya St., 83, Saratov, 410012
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Review
For citations:
Korchagina N.V., Kochukova O.V. Realistic trends in the work of G. Courbet and Russian peredvizhniki: Comparative research. Bulletin of Vaganova Ballet Academy. 2021;72(2):147-159. (In Russ.)
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