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Movement patterns: Choreographic minimalism by Anna Teresa De Keersmaker

Abstract

The  issues  of  creating  a  choreo-musical  artistic  product  are  highlighted. The  mechanism  of  combining  musical  and  choreographic  texts  is  considered. Alternative principles of discreteness and independence and interaction in the creation of a modern choreographic production are described. The necessity of considering alternative approaches to optimizing the interdependence of music and movements in both technological and sensory directions is justified.

About the Authors

S. V. Lavrova
Vaganova Ballet Academy
Russian Federation

Dr. Habil.; Ass. Prof.

Rossi St., 2, Saint-Petersburg, 191023



M. O. Potolokova
Vaganova Ballet Academy; Saint-Petersburg State University
Russian Federation

Dr. Habil.

Rossi St., 2, Saint-Petersburg, 191023

Universitetskaya nab., 7-9, Saint-Petersburg, 199034



V. V. Vasilenko
Vaganova Ballet Academy
Russian Federation

Dr. Habil.; Ass. Prof.

Rossi St., 2, Saint-Petersburg, 191023



References

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7. Reich S. Piano Phase for 2 pianos or 2 marimbas score, Vienna: Universal Edition, 1967, 36 p. 9.

8. Lavrova S. V. «Vortex Temporum» Zherara Grize v xoreograficheskoj interpretacii Anny` Terezy` De Keersmaker // Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoj. 2016. № 6 (47). S. 80–86.


Review

For citations:


Lavrova S.V., Potolokova M.O., Vasilenko V.V. Movement patterns: Choreographic minimalism by Anna Teresa De Keersmaker. Bulletin of Vaganova Ballet Academy. 2021;(1):16-25. (In Russ.)

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ISSN 1681-8962 (Print)