The concept of postmodern dance in the researches of 1970-2010s
Abstract
The article is devoted to the review of postmodern dance as a concept in the works of researchers of the 1970-2010s. «Concept» is presented from the point of view of linguistics, philosophy and art history. The author suggests that the conceptual system is fractal, i.e. the structures of macro- and micro-concepts are similar. Thus, postmodern dance is a micro-concept, which is presented ambiguously in the works of art critics. Four tendencies of understanding the concept of postmodern dance (according to E.V. Kiseeva) are considered. Some works of domestic researchers of the 2010s is analyzed. The conclusion is drawn about the inconsistency of perception of the concept of postmodern dance in foreign and domestic art history.
About the Author
E. V. Levina
Vaganova Ballet Academy
Russian Federation
Russian Federation
Levina E. V. — Postgraduate Student, SPIN-код 3813-6895.
2 Rossi St., Saint-Petersburg, 191023
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Review
For citations:
Levina E.V. The concept of postmodern dance in the researches of 1970-2010s. Bulletin of Vaganova Ballet Academy. 2020;(4):6-20. (In Russ.)
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