Zoya Lodiy’s executive phenomenon
Abstract
The article is devoted to the study of the performing arts of the now almost forgotten chamber singer Zoya Petrovna Lodiy. Possessing a rather modest “baseline” data, she not only raised her art to the highest level, but also took one of the first places among the founders of the national chamber singing school.
An analysis of the artist’s creative biography showed that a number of key positions can be identified that directly contributed to the construction of her successful stage career. Among them are a good starting base, orientation of vocal training, the highest professionalism, bright personality, unique performing style, etc.
An interdisciplinary approach has been taken to objectively address this issue. This allowed us to consider the activities of the singer, including through the view of modern research in the field of theory and psychology of success.
The authors conclude that a comprehensive study of the performing phenomenon of Z. P. Lodiy, which today would be a vivid example of a successful “careerist” (in the good sense of the word), could serve as a reliable guide for a new generation of musicians.
About the Authors
E. Y. Sharma
Institute of Contemporary Art
Russian Federation
Russian Federation
Cand. Sci. (Arts); Scientific adviser
27 А, Novozavodskaya St., Moscow, 121309
V. K. Zheurova
Institute of Contemporary Art
Russian Federation
Russian Federation
Postgraduate Student
27 А, Novozavodskaya St., Moscow, 121309
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Review
For citations:
Sharma E.Y., Zheurova V.K. Zoya Lodiy’s executive phenomenon. Bulletin of Vaganova Ballet Academy. 2020;(2):187-206. (In Russ.)
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