“FOR DANCING THE SPIRIT IS NECESSARY!” — SOLO TRADITIONAL MEN’S DANCING OF GENNADY NIKOLAEVICH KOPYLTSOV FROM VILLAGE SHABANOVA GORA OF THE CHEREPOVETS DISTRICTS OF THE VOLOGDA REGIO
Abstract
Studying of traditions of national choreography, its original forms is among topical issues as in the last decades many videos which are not introduced for scientific use and to the practicing were made. Especially it concerns heritage of the brightest rural performers of dancing. In article style features of traditional men’s solo dancing of Cherepovets musical and choreographic tradition on the example of Gennady Nikolaevich Kopyltsov’s heritage are defined. On the basis of comments of the performer the context of existing of solo men’s choreography is presented, the principles of development of dancing in national culture are noted. The submitted data are compared with earlier ethnographic descriptions. The analysis of forwarding materials and records of ethnographic concerts revealed composition of solo dancing, features of a lexicon of dancing of the performer.
About the Authors
E. S. Redkova
Saint-Petersburg State Rimsky-Korsakov Conservatory
Russian Federation
Cand. Sci. (Arts)
Russian Federation
Cand. Sci. (Arts)
E. K. Filatenkova
Vaganova Ballet Academy
Russian Federation
2nd year Undergraduate Student, 53.04.06 “Musicology and musical applied art” degree program
Russian Federation
2nd year Undergraduate Student, 53.04.06 “Musicology and musical applied art” degree program
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Review
For citations:
Redkova E.S., Filatenkova E.K. “FOR DANCING THE SPIRIT IS NECESSARY!” — SOLO TRADITIONAL MEN’S DANCING OF GENNADY NIKOLAEVICH KOPYLTSOV FROM VILLAGE SHABANOVA GORA OF THE CHEREPOVETS DISTRICTS OF THE VOLOGDA REGIO. Bulletin of Vaganova Ballet Academy. 2019;(3):43-63. (In Russ.)
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