ACTUAL PROBLEMS OF THEATRE CRITICISM
https://doi.org/10.26294/ARB.2019.61.30040
Abstract
The paper formulates the major principles of the school of theater studies founded in the beginning of the 20th century by Max Herrmann and developed by his followers. Besides, the evolution of theater criticism beginning with the 19th century is characterized. The current status of the Russian criticism is defned as a crisis and ways of overcoming the crisis are outlined. In the light of evolving blogger criticism, Victor Vilisov’s book We all feel sick. How the theater became modern, and we did not notice it is analyzed.
About the Author
V. I. Maksimov
Russian State Institute of Performing Arts
Russian Federation
Russian Federation
Vadim I. Maksimov — Dr. Habil., Prof.
34,Mohovaya St., Saint Petersburg, 191028
References
1. Gitel`man L. I. Pis`mo G. R. Trostyaneczkomu // Pamyati L`va Iosifovicha Gitel`mana. SPb.: Izd-vo SPb. gos. akad. teatr. iskusstva, 2012. 281 s.
2. Vilisov V. Nas vsex toshnit: Kak teatr stal sovremenny`m, a my` e`togo ne zametili. M.: AST, 2019. 336 s.
3. Dobrotvorskaya K. Kto-nibud` videl moyu devchonku? M.: AST, 2014. 350 s.
4. Vy`gotski L. S. Psixologiya iskusstva. M.: Iskusstvo, 1968. 576 s.
Review
For citations:
Maksimov V.I. ACTUAL PROBLEMS OF THEATRE CRITICISM. Bulletin of Vaganova Ballet Academy. 2019;(2):197-206. (In Russ.) https://doi.org/10.26294/ARB.2019.61.30040
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