PIANO ISLAND — GULAGYUY

Abstract

The article is devoted to original phenomenon of modern Chinese piano culture — the emergence of modern complexes-clusters decorated resort areas of the country, where there is opportunity in the best creative environment deal with the promotion of piano performance and pedagogy, linking them with both the educational development of the network, and with the expansion of tourism activities. This process has various versions, implementing in today’s China, including the one that exists in Gulangyu. Introducing the Russian reader with the different sides of Gulanguy’s piano “life”, the article puts the issue of synthesis of various ontological forms of piano music in the dynamics of its multi-dimensional structural and systemic evolution relevant for contemporary art in general — and piano, in particular.