«STORK» BALLET FOR CHILDREN (1937) IN PORCELAIN SMALL FORMS
Abstract
The problems of representing images of ballet in the space of Soviet everyday culture are in the focus of the paper. The material for the analysis of the article is the porcelain fgurines «Ballerina the Stork» and «Ballerina the Cat» made by sculptor Michael Avakovichem Intizaryan (1910–1992). The fgurines were made in the art laboratory of the Dmitrov Porcelain Factory (Verbilki) and produced in the 1950s. The problem of appropriating the images of children’s ballet in the art of small plastic arts is an interesting section of cultural studies. The characteristics of the three traditions of representing images of Soviet ballet in porcelain are presented in the article. The frst is the creation of works representing the world of ballet as a whole. The second is the creation of images of famous ballerinas performing ballet parties. The third is the interest in images of ballets on the stages of Soviet theaters without creating portrait images of dancers.
About the Authors
O. S. Sapanzha
Herzen State Pedagogical University of Russia
Russian Federation
Russian Federation
Olga S. Sapanzha — Dr. Habil.
48, Moyki nab., St. Petersburg 119186
N. A. Balandina
XX years after the War. The Museum of Leningrad everyday life culture: 1945– 1965
Russian Federation
Russian Federation
Natalia A. Balandina
4th line of Vasilievsky Island, 19, St. Petersburg, 199004
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Review
For citations:
Sapanzha O.S., Balandina N.A. «STORK» BALLET FOR CHILDREN (1937) IN PORCELAIN SMALL FORMS. Bulletin of Vaganova Ballet Academy. 2019;(2):114-127. (In Russ.)
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