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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-943</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МЕЖДИСЦИПЛИНАРНЫЕ ИССЛЕДОВАНИЯ В ОБЛАСТИ ХОРЕОГРАФИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>CROSS-DISCIPLINARY RESEARCH IN CHOREOGRAPHY</subject></subj-group></article-categories><title-group><article-title>МУЗЫКА ДЖОНА ТАВЕНЕРА В ХОРЕОГРАФИЧЕСКИХ ИНТЕРПРЕТАЦИЯХ</article-title><trans-title-group xml:lang="en"><trans-title>JOHN TAVENER’S MUSIC IN CHOREOGRAPHIC INTERPRETATIONS</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Миклухо</surname><given-names>Е. О.</given-names></name><name name-style="western" xml:lang="en"><surname>Miklukho</surname><given-names>E. О.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Исаакиевская пл., 5, Санкт-Петербург, 190000</p></bio><bio xml:lang="en"><p>Elena O. Miklukho</p><p>St. Isaac’s Sq., 5, Saint Petersburg, 190000</p></bio><email xlink:type="simple">emkl@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский институт истории искусств</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian Institute of Art History</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>09</day><month>01</month><year>2019</year></pub-date><volume>0</volume><issue>6</issue><fpage>74</fpage><lpage>93</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Миклухо Е.О., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Миклухо Е.О.</copyright-holder><copyright-holder xml:lang="en">Miklukho E.О.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/943">https://vaganov.elpub.ru/jour/article/view/943</self-uri><abstract><p>В статье рассматриваются связанные с хореографией произведения (за исключением хореографических сцен в операх) современного английского композитора Джона Тавенера (1944–2013), говорится об истории их создания, о сотворчестве композитора с хореографами и другими участниками постановок. Особое внимание уделено истории совместной работы композитора с хореографом Уэйном МакГрегором над произведением «Лайла» («Аму»); инструментальному концерту Тавенера «Покров» и соответствующей ему хореографии Дэвида Бинтли. Намечен способ классификации хореографических работ Тавенера, сделаны предположения относительно перспектив воплощения музыки композитора в хореографии.</p></abstract><trans-abstract xml:lang="en"><p>The article deals with works related to choreography (with the exception of choreographic scenes in operas) of the contemporary English composer John Tavener (1944–2013), the history of their creation, the composer’s co-creation with choreographers and other participants of productions. Particular attention is paid to the history of the composer’s joint work with choreographer Wayne McGregor on the work Layla (Amu); the instrumental concert of Tavener The Protecting Veil and the corresponding choreography by David Bintley. The method of classifcation of Tavener’s choreographic works is outlined, assumptions concerning prospects of the composer’s music embodiment in choreography are made.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>композитор Джон Тавенер</kwd><kwd>хореографические произведения</kwd><kwd>И. Стравинский</kwd><kwd>Русские сезоны</kwd><kwd>английский балет</kwd><kwd>Уэйн Макгрегор</kwd><kwd>«Лайла» («Аму»)</kwd><kwd>Дэвид Бинтли</kwd><kwd>«Покров»</kwd></kwd-group><kwd-group xml:lang="en"><kwd>composer John Tavener</kwd><kwd>choreographic works</kwd><kwd>Igor Stravinsky</kwd><kwd>Russian seasons</kwd><kwd>English ballet</kwd><kwd>Wayne McGregor</kwd><kwd>Laila (Amu)</kwd><kwd>David Bintley</kwd><kwd>The Protecting Veil</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Tavener J. The Music of Silence. A Composer’s Testament. Ed. by Brian Keeble. 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