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<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-60</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>К 145-ЛЕТИЮ СО ДНЯ РОЖДЕНИЯ НИКОЛАЯ ЛЕГАТА</subject></subj-group></article-categories><title-group><article-title>Особенности структуры экзерсиса Н. Г. Легата</article-title><trans-title-group xml:lang="en"><trans-title>Features of the structure of N. Legat’s exercise</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Силкин</surname><given-names>Петр Афанасьевич</given-names></name><name name-style="western" xml:lang="en"><surname>Silkin</surname><given-names>Peter A.</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Академия Русского балета имени А. Я. Вагановой</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Vaganova ballet Academy</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2015</year></pub-date><pub-date pub-type="epub"><day>13</day><month>03</month><year>2018</year></pub-date><volume>0</volume><issue>2</issue><fpage>84</fpage><lpage>88</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Силкин П.А., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Силкин П.А.</copyright-holder><copyright-holder xml:lang="en">Silkin P.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/60">https://vaganov.elpub.ru/jour/article/view/60</self-uri><abstract><p>В статье рассматривается наследие знаменитого выпускника Петербургского театрального училища, танцовщика Мариинского театра Н. Г. Легата. Автор статьи предлагает вниманию читателей анализ части урока № 3 (экзерсис на середине зала). Четыре урока собственноручно были написаны Легатом для его ученика А. Эглевского.</p></abstract><trans-abstract xml:lang="en"><p>In this article it is considered to legacy of famous dancer and teacher of Mariinsky Theatre, who graduated from Petersburg’s Theatre School, N. G. Legat. The author of the article offer part of lesson № 3 (center-work). Four lessons were written by Nicolas Legat for his pupil André Eglevsky.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Легат</kwd><kwd>театральное училище</kwd><kwd>наследие</kwd><kwd>урок</kwd><kwd>экзерсис</kwd><kwd>метод</kwd><kwd>Legat</kwd><kwd>theatre School</kwd><kwd>legacy</kwd><kwd>lesson</kwd><kwd>center-work</kwd><kwd>method</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лопухов Ф. В. Шестьдесят лет в балете. М.: Искусство,1966. 368 с.</mixed-citation><mixed-citation xml:lang="en">Лопухов Ф. В. Шестьдесят лет в балете. М.: Искусство,1966. 368 с.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Лопухов Ф. В. Хореографические откровенности. М.: Искусство, 1972. 216 с.</mixed-citation><mixed-citation xml:lang="en">Лопухов Ф. В. Хореографические откровенности. М.: Искусство, 1972. 216 с.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Heritage of a ballet master: Nicolas Legat by John Gregory and Andre Eglevsky. Dance books LTD, 1978. 95 p.</mixed-citation><mixed-citation xml:lang="en">Heritage of a ballet master: Nicolas Legat by John Gregory and Andre Eglevsky. Dance books LTD, 1978. 95 p.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
