vaganovВестник Академии Русского балета им. А.Я. ВагановойBulletin of Vaganova Ballet Academy1681-8962Vaganova Ballet Academyvaganov-527Research ArticleПЕРЕВОДЫTRANSLATIONSДУХОВНЫЕ УПРАЖНЕНИЯ ЛЕОНАРДО ДА ВИНЧИ (продолжение)THE SPIRITUAL EXERCISES OF LEONARDO DA VINCI Marina Mitaleva (translator)УильямсРобертWilliamsRobertnoemail@neicon.ruКалифорнийский университетRussian Federation20161303201806185192Copyright © Уильямс Р., 20182018Уильямс Р.Williams R.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://vaganov.elpub.ru/jour/article/view/527

Цель данной статьи - показать, что высказывания Леонардо об обучении живописи - важный аспект его мышления и существенная черта их современности, предположить, что его всеохватывающий подход к искусству должен быть рассмотрен не только с точки зрения зарождающегося научного мышления, но так же и на фоне новых экономических и социальных воздействий в равной степени характерных современному миру. Перевод выполнен по изданию: Williams R. The Spiritual Exercises of Leonardo da Vinci // A Companion to Art Theory. Blackwell Publishing, 2002. pp. 75-87. Статья публикуется с любезного разрешения автора.

The aim of this article is to show that Leonardo’s remarks about the discipline of art are an important aspect of his thought and an important feature of its modernity, to suggest that his overall approach to art needs to be seen, not only in terms of an emerging scientifi c mentality, but also against a background of new economic and social pressures equally characteristic of the modern world. The translation is made from: Williams R. The Spiritual Exercises of Leonardo da Vinci // A Companion to Art Theory. Blackwell Publishing, 2002. pp. 75-87. Article is published with the kind permission of the author.

Леонардо да Винчиинтеллектуальная дисциплинаистория искусстваобучение живописиВысокое ВозрождениеРенессансЛеон Баттиста АльбертиДжорджо ВазариЧеннино ЧенниниДжованни Батиста АрмениниLeonardo da Vinciintellectual disciplineart historyart educationHigh RenaissanceRenaissanceLeon Battista AlbertiGiorgio VasariCennino CenniniGiovanni Battista ArmeniniReferencesAlberti L.B. On Painting / trans. and ed. by J. Spencer. New Haven and London: Yale University Press, 1966. 144 p.Alberti L.B. On Painting / trans. and ed. by J. Spencer. New Haven and London: Yale University Press, 1966. 144 p.Cennini C. The Craftsman’s Handbook / trans. by D.V. Thompson. New York: Dover Publications, 1954. 192 p.Cennini C. The Craftsman’s Handbook / trans. by D.V. Thompson. 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The authors declare that there are no conflicts of interest present.