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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-326</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ, ИСТОРИЯ И ПРАКТИКА ХОРЕОГРАФИЧЕСКОГО ИСКУССТВА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THEORY AND HISTORY OF CHOREOGRAPHIC ART</subject></subj-group></article-categories><title-group><article-title>Кармен и Клеопатра в отсутствие мужчин. «Астана-балет»</article-title><trans-title-group xml:lang="en"><trans-title></trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Розанова</surname><given-names>Ольга Ивановна</given-names></name><name name-style="western" xml:lang="en"><surname>Rozanova</surname><given-names>Olga I.</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Академия Русского балета имени А. Я. Вагановой</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Vaganova Ballet Academy</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2016</year></pub-date><pub-date pub-type="epub"><day>13</day><month>03</month><year>2018</year></pub-date><volume>0</volume><issue>3</issue><fpage>133</fpage><lpage>138</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Розанова О.И., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Розанова О.И.</copyright-holder><copyright-holder xml:lang="en">Rozanova O.I.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/326">https://vaganov.elpub.ru/jour/article/view/326</self-uri><abstract><p>Публикация продолжает цикл статей, посвященных казахской труппе «Астана-балет». Самобытность коллектива, созданного три года назад, определяется не только его этнической спецификой, но и тем, что в его составе нет мужчин - только 42 танцовщицы. Почти все они - выпускницы Алматинского хореографического училища им. А. В. Селезнева. Автор рецензирует спектакли, показанные в рамках петербургских гастролей «Астана-баллет», состоявшихся в июне 2016 г.: балеты «Клеопатра» и «Кармен».</p></abstract><trans-abstract xml:lang="en"><p>The publication continues the series of articles devoted to the Kazakh troupe named «Astana Ballet». Originality of team, created three years ago, is determined not only by its ethnic characteristics, but also by the fact that it includes only 42 dancers - without men. Almost all of them - a graduate of the Almaty Choreographic School. named after A. V. Seleznev. The author analised few performances shown in the framework of the St. Petersburg tour «Astana ballet», held in June 2016: ballets «Cleopatra» and «Carmen».</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Мукарам Авахри</kwd><kwd>Николай Маркелов</kwd><kwd>«Астана-балет»</kwd><kwd>Mukaram Avahri</kwd><kwd>Nikolai Markelov</kwd><kwd>«Astana ballet»</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
