The main object of the article is comparison of aplomb training chief practices in E. Cecchetti, N. I. Tarasov and A. Ya. Vaganova methodological systems and detection of the most effective among them. Issue of the aplomb training is the basis for all classical ballet technique; it is inextricably linked with dance aesthetics. Nonetheless the world ballet so far has no uniform rules or methods of aplomb training, acknowledged by all schools in all countries. There is a number of practices, each having its own advantages, though convergence of these practices is generally impossible due to fundamentally different methodology they are based on.

Analysis of the main methods, described in works by G. Cecchetti, N. I. Tarasov and A. Ya. Vaganova allows making the statement that in methodology by A. Ya. Vaganova the correct aplomb training has a dominant value, and hands, legs and head movements are logical outcomes of the correctly taught and mastered body position in statics and dynamics.