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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-1760</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПОДГОТОВКА АРТИСТОВ БАЛЕТА И ТЕАТРА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>DANCE TECHNIQUE AND THEATRE PEDAGOGY</subject></subj-group></article-categories><title-group><article-title>Уникальность «Техники балетного артиста» Ольги Спесивцевой</article-title><trans-title-group xml:lang="en"><trans-title>The uniqueness of “The Technique of a Ballet Artist” by Olga Spesivtseva</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Касенкова</surname><given-names>Ю. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Kasenkova</surname><given-names>Yu. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>ст. препод., аспирант</p><p>л. Зодчего Росси, д. 2, Санкт-Петербург, 191023,</p></bio><bio xml:lang="en"><p>2, Rossi St., Saint-Petersburg, 191023</p><p>Senior lecturer, Postgraduate Student</p></bio><email xlink:type="simple">jkasenkova@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Академия Русского балета имени А. Я. Вагановой</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Vaganova Ballet Academy</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>18</day><month>11</month><year>2021</year></pub-date><volume>0</volume><issue>5</issue><fpage>39</fpage><lpage>49</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Касенкова Ю.А., 2021</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="ru">Касенкова Ю.А.</copyright-holder><copyright-holder xml:lang="en">Kasenkova Y.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/1760">https://vaganov.elpub.ru/jour/article/view/1760</self-uri><abstract><p>В статье анализируется единственная книга великой русской балерины Ольги Спесивцевой «Техника балетного артиста», изданная в Лондоне в 1967 году. В этом издании, по мнению автора, Спесивцева представила идеальную для себя модель уроков классического танца, направленных на развитие техники и представляющих синтез опыта и знаний балерины. Автор прослеживает этапы работы танцовщицы с педагогами классического танца (А. Чекрыгиным, В. Рыхляковой, В. Жуковой, М. Фокиным, К. Куличевской, А. Вагановой, Э. Чеккетти и др.), повлиявшими на личностное становление Спесивцевой, а также эволюцию ее профессиональных и педагогических взглядов. Автор проводит обзор основного содержания книги и приводит достоверные факты из истории ее создания.</p></abstract><trans-abstract xml:lang="en"><p>The purpose of the study of this scientific article is the only book by the great Russian ballerina of the 20th century Olga Aleksandrovna Spesivtseva “The Technique of a Ballet Artist” published in London in 1967. The author of the article reviews the basic content of the book, which is a kind of historical and theoretical work of the ballerina, who absorbed the experience of many prominent teachers of her day and mentions reliable facts from the history of the book’s creation. The author focuses on the uniqueness of this book, in which, in the author’s opinion, Olga Spesivtseva presented her ideal model of classical dance lessons, contributing to the development of technique and representing a certain synthesis of the experience and knowledge of the greatest Russian ballerina. The author gives a generalized description of the process of formation of her professional maturation and development, tracing the stages of Spesivtseva’s work with various teachers of classical dance, which had an impact on the ballerina’s formation and worldview, as well as the evolution of her professional and pedagogical views.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Ольга Спесивцева</kwd><kwd>«Техника балетного артиста»</kwd><kwd>Антон Долин</kwd><kwd>Джоан Лоусон</kwd><kwd>Валентина Семукова</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Olga Spessivtzeva</kwd><kwd>«The Technique of a Ballet Artist»</kwd><kwd>Anton Dolin</kwd><kwd>Joan Lawson</kwd><kwd>Valentina Semoukova</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Красовская В. М. Русский балетный театр начала XX века. Ч. 2. Танцовщики. Л.: Искусство, 1972. 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