vaganovВестник Академии Русского балета им. А.Я. ВагановойBulletin of Vaganova Ballet Academy1681-8962Vaganova Ballet Academyvaganov-1498Research ArticleТЕОРИЯ И ИСТОРИЯ ИСКУССТВАТHEORY AND HISTORY OF ARTКомпозитор Николас Мо: больше, чем неоромантикNicholas Maw: more than a neo-romanticАгишеваЮ. И.AgishevaY. I.

канд. искусствоведения, доц.

ул. Поварская, д. 30/36, Москва, 119180

Cand. Sci. (Arts), Ass. Prof.

30/36, Povarskaya St., Moscow, 119180

Agisheva1@yandex.ruРоссийская академия музыки имени ГнесиныхРоссияGnessin Russian Academy of MusicRussian Federation2020021220200594109Copyright © Агишева Ю.И., 20202020Агишева Ю.И.Agisheva Y.I.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://vaganov.elpub.ru/jour/article/view/1498

Статья посвящена британскому композитору второй половины ХХ века Николасу Мо. Его творчество, представленное разнообразными музыкальными жанрами, характеризуется сочетанием традиций прошлого и новаций музыкального искусства второй половины ХХ века. Прослеживаются основные этапы творческого формирования композитора на примере трех произведений, занимающих особое место в его наследии: «Сцены и арии», «Одиссея», «Выбор Софи». Уделяется внимание понятию «нарратив» и его значению в системе взглядов Мо. В приложении к статье приводится полный список сочинений композитора.

The article is dedicated to Nicholas Maw, a British composer of the second half of the 20th century. The composer’s work consists of various music genres and is characterized by a combination of the traditions of the past (notably romanticism) and novelties of music culture of the second half of the 20th century. Main stages of artistic development of the composer are considered through three works which have special places in his legacy: “Scenes and Arias”, “Odyssey”, “Sophie’s Choice”. A term “narration” and its signification in Maw’s system of thoughts is given attention. The list of works of Nicholas Maw is included the article.

Николас Мобританская академическая музыкавторая половина ХХ векаанглийский музыкальный ренессансромантизмнарративNicholas MawBritish art musicsecond half of the 20th centuryEnglish Musical RenaissanceRomanticismnarrationПубликация подготовлена в рамках научного проекта № 19–012–00483 «Британская академическая музыкальная культура второй половины ХХ века», поддержанного Российским фондом фундаментальных исследований (РФФИ).The paper was prepared within the framework of the scientific project No. 19–012–00483, supported by the Russian Foundation for Basic Research (RFBR).ReferencesWroe N. The Romantic modernist. URL: https://www.theguardian.com/music/2002/dec/07/classicalmusicandopera.artsfeatures (дата обращения: 09.07.2020).Wroe N. The Romantic modernist. URL: https://www.theguardian.com/music/2002/dec/07/classicalmusicandopera.artsfeatures (data obrashheniya: 09.07.2020).Nicholas Maw. Snapshot. URL: https://www.boosey.com/pages/cr/composer/composer_main?composerid=2884&ttype=SNAPSHOT (дата обращения: 09.07.2020).Nicholas Maw. Snapshot. URL: https://www.boosey.com/pages/cr/composer/composer_main?composerid=2884&ttype=SNAPSHOT (data obrashheniya: 09.07.2020).Kozinn A. Nicholas Maw, Iconoclastic Composer // The New York Times. 2009. May 20.Kozinn A. Nicholas Maw, Iconoclastic Composer // The New York Times. 2009. May 20.Nicholas Maw. Biography. URL: https://www.boosey.com/pages/cr/composer/composer_main?composerid=2884&ttype=BIOGRAPHY (дата обращения: 08.07.2020).Nicholas Maw. Biography. URL: https://www.boosey.com/pages/cr/composer/composer_main?composerid=2884&ttype=BIOGRAPHY (data obrashheniya: 08.07.2020).Gloag K. Nicholas Maw: Odyssey. Routledge, 2017. 135 p.Gloag K. Nicholas Maw: Odyssey. Routledge, 2017. 135 p.Rupprecht P. British Musical Modernism. The Manchester Group and Their Contemporaries. Cambridge: Cambridge University Press, 2015. 508 p.Rupprecht P. British Musical Modernism. The Manchester Group and Their Contemporaries. Cambridge: Cambridge University Press, 2015. 508 p.Whittall A. The Instrumental Music of Nicholas Maw: Questions of Tonality // Tempo. 1973. № 106. P. 26–33.Whittall A. The Instrumental Music of Nicholas Maw: Questions of Tonality // Tempo. 1973. № 106. P. 26–33.Northcott B. Nicholas Maw: The Second Phase // Musical Times. 1987. № 1734. P. 431–434.Northcott B. Nicholas Maw: The Second Phase // Musical Times. 1987. № 1734. P. 431–434.Payne A. The Music of Nicholas Maw // Tempo. 1964. №. 68. P. 2–13.Payne A. The Music of Nicholas Maw // Tempo. 1964. №. 68. P. 2–13.Griffiths P. New sounds, New personalities: British composers of the 1980s in Conversation. London: Faber Music, 1985. 212 p.Griffiths P. New sounds, New personalities: British composers of the 1980s in Conversation. London: Faber Music, 1985. 212 p.Bradshaw S. Nicholas Maw // Musical Times. 1962. No. 103. P. 608–10.Bradshaw S. Nicholas Maw // Musical Times. 1962. No. 103. P. 608–10.Composer Nicholas Maw. A Conversation with Bruce Duffie. URL: http://www.bruceduffie.com/maw.html (дата обращения: 14.07.2020).Composer Nicholas Maw. A Conversation with Bruce Duffie. URL: http://www.bruceduffie.com/maw.html (data obrashheniya: 14.07.2020).Griffiths P. Nicholas Maw: Composer whose modernism was underpinned by his lyricism and Romantic Leaning. URL: https://www.independent.co.uk/news/obituaries/nicholas-maw-composer-whose-modernism-was-underpinned-by-his-lyricism-andromantic-leanings-1689792.html (дата обращения: 09.07.2020).Griffiths P. Nicholas Maw: Composer whose modernism was underpinned by his lyricism and Romantic Leaning. URL: https://www.independent.co.uk/news/obituaries/nicholas-maw-composer-whose-modernism-was-underpinned-by-his-lyricism-andromantic-leanings-1689792.html (data obrashheniya: 09.07.2020).Михайлов А. В. О немецкой романтической поэзии // Поэзия немецких романтиков. М.: Художественная литература, 1985. 528 c.Mixajlov A. V. O nemeczkoj romanticheskoj poe`zii // Poe`ziya nemeczkix romantikov. M.: Xudozhestvennaya literatura, 1985. 528 c.

The authors declare that there are no conflicts of interest present.