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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-1464</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПОДГОТОВКА АРТИСТОВ БАЛЕТА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>DANCE TECHNIQUE PEDAGOGY</subject></subj-group></article-categories><title-group><article-title>Принципы построения урока характерного танца «на середине»: Педагогическое наследие Андрея Лопухова</article-title><trans-title-group xml:lang="en"><trans-title>The concept of the character dance lesson in the center: Pedagogical heritage of Andrey Lopuhov</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Васильева</surname><given-names>А. Л.</given-names></name><name name-style="western" xml:lang="en"><surname>Vasileva</surname><given-names>A. L.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Кандидат культурологии.</p><p>Ул. Зодчего Росси, д. 2, Санкт-Петербург, 191023</p></bio><bio xml:lang="en"><p>Cand. Sci. (Cultural Studies).</p></bio><email xlink:type="simple">avas7812@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Академия Русского балета имени А.Я. Вагановой<country>Россия</country></aff><aff xml:lang="en">Vaganova Ballet Academy<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2020</year></pub-date><pub-date pub-type="epub"><day>01</day><month>11</month><year>2020</year></pub-date><volume>0</volume><issue>4</issue><fpage>72</fpage><lpage>81</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Васильева А.Л., 2020</copyright-statement><copyright-year>2020</copyright-year><copyright-holder xml:lang="ru">Васильева А.Л.</copyright-holder><copyright-holder xml:lang="en">Vasileva A.L.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/1464">https://vaganov.elpub.ru/jour/article/view/1464</self-uri><abstract><p>Статья посвящена изучению педагогического наследия известного мастера характерного танца Андрея Васильевича Лопухова. В поле зрения — неизвестная ранее рукопись по методике характерного танца. Автор статьи кратко прослеживает творческую и педагогическую деятельность Лопухова и комментирует его лекцию с точки зрения современной методики преподавания.</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to the study of pedagogical heritage of famous master of character dance Andrey Lopuhov. Within its scope is an unknown manuscript about character dance teaching methodology. The author of the article briefly describes Lopuhov’s artistic and pedagogical activity and comments on his lecture from the point of view of modern teaching method.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>характерный танец</kwd><kwd>А. В. Лопухов</kwd><kwd>методика преподавания характерного танца</kwd><kwd>упражнения на середине</kwd><kwd>этюды</kwd></kwd-group><kwd-group xml:lang="en"><kwd>character dance</kwd><kwd>A. V. Lopuhov</kwd><kwd>character dance teaching methodology</kwd><kwd>exercises in the center</kwd><kwd>etudes</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Чернова Н. Ю. От Гельцер до Улановой. М.: Искусство, 1979. 191 с.</mixed-citation><mixed-citation xml:lang="en">Chernova N. Yu. Ot Gel'cer do Ulanovoj. M.: Iskusstvo, 1979. 191 s.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Андреев А. Л. Дуэт. Балет и время. СПб.: изд-во «Лань»; изд-во «ПЛАНЕТА МУЗЫКИ», 2019. 392 с.</mixed-citation><mixed-citation xml:lang="en">Andreev A. L. Due't. Balet i vremya. SPb.: izd-vo «Lan'»; izd-vo «PLANETA MUZY'KI», 2019. 392 s.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Соллертинский И. И., Слонимский Ю. И. Учебные программы. Л.: ЛГХТ, 1936. 83 с.</mixed-citation><mixed-citation xml:lang="en">Sollertinskij 1.1., Slonimskij Yu. I. Uchebny'e programmy'. L.: LGXT, 1936. 83 s.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
