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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vaganov</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Академии Русского балета им. А.Я. Вагановой</journal-title><trans-title-group xml:lang="en"><trans-title>Bulletin of Vaganova Ballet Academy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1681-8962</issn><publisher><publisher-name>Vaganova Ballet Academy</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vaganov-1066</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ И ИСТОРИЯ ХОРЕОГРАФИЧЕСКОГО ИСКУССТВА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THEORY AND HISTORY OF CHOREOGRAPHIC ART</subject></subj-group></article-categories><title-group><article-title>КАРЛОТТА ГРИЗИ. ГАСТРОЛИ В САНКТ-ПЕТЕРБУРГЕ (1850–1853)</article-title><trans-title-group xml:lang="en"><trans-title>CARLOTTA GRISI: BALLET DANCER TOURS IN SAINT PETERSBURG (1850–1853)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Федорченко</surname><given-names>O. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Fedorchenko</surname><given-names>O. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Кандидат искусствоведения</p><p>Исаакиевская пл., д. 5, СанктПетербург, 190000</p></bio><bio xml:lang="en"><p>Olga A. Fedorchenko — Cand. Sci. (Arts)</p><p>5, St. Isaac’s Square, Saint Petersburg, 190000</p></bio><email xlink:type="simple">olgafedorcenco@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Российский институт истории искусств<country>Россия</country></aff><aff xml:lang="en">Russian Institute of Art History<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>20</day><month>05</month><year>2019</year></pub-date><volume>0</volume><issue>2</issue><fpage>60</fpage><lpage>71</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Федорченко O.А., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Федорченко O.А.</copyright-holder><copyright-holder xml:lang="en">Fedorchenko O.A.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vaganov.elpub.ru/jour/article/view/1066">https://vaganov.elpub.ru/jour/article/view/1066</self-uri><abstract><p>Статья посвящена выступлениям в Санкт-Петербурге выдающейся романтической балерины Карлотты Гризи — новой, ранее не исследованной отечественными балетоведами, теме. Прибывшая в Петербург в расцвете таланта, К. Гризи за три года выступлений в петербургском Большом театре станцевала двенадцать балетов, семь из которых были премьерами. В России Гризи стала первой исполнительницей мировых премьер балетов «Война женщин» и «Газельда». Петербург стал городом ее последних творческих триумфов. В статье использованы архивные материалы: дела о службе, документы Дирекции императорских театров, контракты, хранящееся в Российском государственном историческом архиве, а также материалы русской периодики XIX века, либретто балетов.</p></abstract><trans-abstract xml:lang="en"><p>The article is dedicated to the performances of outstanding romantic ballerina Carlotta Grisi in Saint Petersburg. There is no detailed research about her tours in Russian capital yet. Carlotta Grisi arrived at Saint Petersburg in blooming talent, at the age of 31. In three years of performing in Petersburg Grand theatre she performed 12 ballets, 7 of which were premieres. In Petersburg she acted in ballets that were composed for her in Europe (Giselle, La Esmeralda, The War of Women, La Filleule des fées), so that Russian spectators saw the frst performer of famous romantic ballets in her best parts. She enlarged her repertoire by performing main parties of the ballets The Naiad and the Fisherman, Catherine, daughter of robber. Three years in Russia gave Grisi new parts: she became the frst performer of world premieres of the ballets The war of women and Bouquet de Gaselda. Petersburg turned out to be the city of her last triumph. To create this paper such archive materials as work cases, correspondence of clerks of Imperial theatres’ administration, contracts kept in Russian state historical archive were used, the materials of Russian periodical press of the XIX century and ballets’ librettos are updated.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Карлотта Гризи</kwd><kwd>Жюль Перро</kwd><kwd>Фанни Эльслер</kwd><kwd>петербургский балет</kwd><kwd>романтический балет</kwd><kwd>«Жизель»</kwd><kwd>«Эсмеральда»</kwd><kwd>«Наяда и рыбак»</kwd><kwd>«Война женщин»</kwd><kwd>«Питомица фей»</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Carlotta Grisi</kwd><kwd>Julles Perrot</kwd><kwd>Fanny Elssler</kwd><kwd>St. Petersburg ballet</kwd><kwd>romantic ballet</kwd><kwd>Giselle</kwd><kwd>La Esmeralda</kwd><kwd>The Naiad and the Fisherman</kwd><kwd>The War of Women</kwd><kwd>La Filleule des fées</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Об ангажементе танцовщиц Гризи и Фанни Эльслер // РГИА. 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